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Synopsis
This book is based on a study of Australian documentary films produced by and about Aboriginal and Torres Strait Islanders since the early twentieth century. The book aims to expose the course of race relations in Australia in documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation.
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À propos de l?auteur
Jennifer Debenham holds a doctorate in Australian History from the University of Newcastle, Australia. She has lectured and tutored Australian history and sociology. She is currently a Conjoint Lecturer and Senior Research Assistant at the Centre for the History of Violence at the University of Newcastle, Australia. Her interests are in early contact histories, mythology, representation, memory and race. Previous publications include The Australia Day Regatta, co-authored with Christine Cheater (2014), and the online publication Colonial Frontier Massacres in Eastern Australia, 1788-1872, coauthored with Lyndall Ryan, William Pascoe and Mark Brown (2017).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
- ÉditeurPeter Lang
- Date d'édition2020
- ISBN 10 178997478X
- ISBN 13 9781789974782
- ReliureRelié
- Langueanglais
- Nombre de pages248
- Coordonnées du fabricantnon disponible
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CELLULOID SUBJECTS TO DIGITAL DIRECTORH
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Celluloid Subjects to Digital Directors
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Celluloid Subjects to Digital Directors
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Celluloid Subjects to Digital Directors (Documentary Film Cultures)
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Celluloid Subjects to Digital Directors : Changing Aboriginalities and Australian Documentary Film, 1901â"2017
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Celluloid Subjects to Digital Directors : Changing Aboriginalities and Australian Documentary Film, 1901?2017
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Celluloid Subjects to Digital Directors: Changing Aboriginalities and Australian Documentary Film, 1901â"2017
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Celluloid Subjects to Digital Directors
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Etat : New. This book is based on a study of Australian documentary films produced by and about Aboriginal and Torres Strait Islanders since the early twentieth century. The book aims to expose the course of race relations in Australia in documentary film by Aboriginal. N° de réf. du vendeur 448333519
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Celluloid Subjects to Digital Directors : Changing Aboriginalities and Australian Documentary Film, 1901¿2017
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Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - How did Australia's Aboriginal and Torres Strait Islander population go from being the objectified subjects of documentary films to the directors and producers in the digital age What prompted these changes and how and when did this decolonisation of documentary film production occur Taking a long historical perspective, this book is based on a study of a selection of Australian documentary films produced by and about Aboriginal peoples since the early twentieth century. The films signpost significant shifts in Anglo-Australian attitudes about Aboriginal and Torres Strait Islanders and trace the growth of the Indigenous filmmaking industry in Australia.Used as a form of resistance to the imposition of colonialism, filmmaking gave Aboriginal people greater control over their depiction on documentary film and the medium has become an avenue to contest widely held assumptions about a peaceful colonial settlement. This study considers how developments in camera and film stock technologies along with filmic techniques influenced the depiction of Aboriginal and Torres Strait Islanders. The films are also examined within their historical context, employing them to gauge how social attitudes, access to funding and political pressures influenced their production values. The book aims to expose the course of race relations in Australia through the decolonisation of documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation. N° de réf. du vendeur 9781789974782
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Celluloid Subjects to Digital Directors
Edité par
Peter Lang Apr 2020, 2020
ISBN 10 : 178997478X
ISBN 13 : 9781789974782
Neuf
Couverture rigide
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Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -How did Australia's Aboriginal and Torres Strait Islander population go from being the objectified subjects of documentary films to the directors and producers in the digital age What prompted these changes and how and when did this decolonisation of documentary film production occur Taking a long historical perspective, this book is based on a study of a selection of Australian documentary films produced by and about Aboriginal peoples since the early twentieth century. The films signpost significant shifts in Anglo-Australian attitudes about Aboriginal and Torres Strait Islanders and trace the growth of the Indigenous filmmaking industry in Australia.Used as a form of resistance to the imposition of colonialism, filmmaking gave Aboriginal people greater control over their depiction on documentary film and the medium has become an avenue to contest widely held assumptions about a peaceful colonial settlement. This study considers how developments in camera and film stock technologies along with filmic techniques influenced the depiction of Aboriginal and Torres Strait Islanders. The films are also examined within their historical context, employing them to gauge how social attitudes, access to funding and political pressures influenced their production values. The book aims to expose the course of race relations in Australia through the decolonisation of documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation. 248 pp. Englisch. N° de réf. du vendeur 9781789974782
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