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Synopsis
Recounts the life and career of Croatian filmmaker Rajko Grlic in the form of a lexicon of film terms tied to anecdotes spanning Grlic's life.
"I read a lot this year. Old, new, borrowed, blue. This was the best. The paradox of reading something so avidly that you can't put it down and then I got to the last 20 pages slowing down to a snail's pace and reading so slowly so that it wouldn't be over so quickly."--Mike Downey, European Film Academy
From his post-Nazi-era childhood in Yugoslavia to his college years during the 1968 invasion of Prague, the Yugoslav dissolution wars, and his subsequent exile in the United States, these personal stories combine to provide insight into socialist film industries, contextualizing south Slavic film while also highlighting its contacts with Western filmmakers and film industry.
From the introduction by Aida Vidan:
The one hundred and seventy-seven film terms provide sometimes a direct and at other times a metaphoric path to Grlic's stories and concurrently serve as a self-referential mechanism to comment on a series of film attributes. The entries can be read in any order, allowing for the reader's own "montage" of the book's universe.... Grlic adroitly captures the absurdities and paradoxes in one's life resulting from the sort of tectonic shifts with which East European history abounds.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l'auteur
Rajko Grlic is the Ohio Eminent Scholar in Film at Ohio University. Previously, he has taught at New York University's Tisch School of the Arts. As an award-winning director, his films have been the subject of numerous scholarly and newspaper articles, and have screened at major film festivals including the Cannes Festival.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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One More for the Road : A Director?s Notes on Exile, Family, and Film
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Paperback. Etat : New. Recounts the life and career of Croatian filmmaker Rajko Grlic in the form of a lexicon of film terms tied to anecdotes spanning Grlic's life."I read a lot this year. Old, new, borrowed, blue. This was the best. The paradox of reading something so avidly that you can't put it down and then I got to the last 20 pages slowing down to a snail's pace and reading so slowly so that it wouldn't be over so quickly."-Mike Downey, European Film AcademyFrom his post-Nazi-era childhood in Yugoslavia to his college years during the 1968 invasion of Prague, the Yugoslav dissolution wars, and his subsequent exile in the United States, these personal stories combine to provide insight into socialist film industries, contextualizing south Slavic film while also highlighting its contacts with Western filmmakers and film industry.From the introduction by Aida Vidan:The one hundred and seventy-seven film terms provide sometimes a direct and at other times a metaphoric path to Grlic's stories and concurrently serve as a self-referential mechanism to comment on a series of film attributes. The entries can be read in any order, allowing for the reader's own "montage" of the book's universe. Grlic adroitly captures the absurdities and paradoxes in one's life resulting from the sort of tectonic shifts with which East European history abounds. N° de réf. du vendeur LU-9781800732544
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Paperback. Etat : New. Recounts the life and career of Croatian filmmaker Rajko Grlic in the form of a lexicon of film terms tied to anecdotes spanning Grlic's life."I read a lot this year. Old, new, borrowed, blue. This was the best. The paradox of reading something so avidly that you can't put it down and then I got to the last 20 pages slowing down to a snail's pace and reading so slowly so that it wouldn't be over so quickly."-Mike Downey, European Film AcademyFrom his post-Nazi-era childhood in Yugoslavia to his college years during the 1968 invasion of Prague, the Yugoslav dissolution wars, and his subsequent exile in the United States, these personal stories combine to provide insight into socialist film industries, contextualizing south Slavic film while also highlighting its contacts with Western filmmakers and film industry.From the introduction by Aida Vidan:The one hundred and seventy-seven film terms provide sometimes a direct and at other times a metaphoric path to Grlic's stories and concurrently serve as a self-referential mechanism to comment on a series of film attributes. The entries can be read in any order, allowing for the reader's own "montage" of the book's universe. Grlic adroitly captures the absurdities and paradoxes in one's life resulting from the sort of tectonic shifts with which East European history abounds. N° de réf. du vendeur LU-9781800732544
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Paperback. Etat : new. Paperback. Recounts the life and career of Croatian filmmaker Rajko Grlic in the form of a lexicon of film terms tied to anecdotes spanning Grlics life.I read a lot this year. Old, new, borrowed, blue. This was the best. The paradox of reading something so avidly that you cant put it down and then I got to the last 20 pages slowing down to a snails pace and reading so slowly so that it wouldnt be over so quickly.Mike Downey, European Film AcademyFrom his post-Nazi-era childhood in Yugoslavia to his college years during the 1968 invasion of Prague, the Yugoslav dissolution wars, and his subsequent exile in the United States, these personal stories combine to provide insight into socialist film industries, contextualizing south Slavic film while also highlighting its contacts with Western filmmakers and film industry.From the introduction by Aida Vidan:The one hundred and seventy-seven film terms provide sometimes a direct and at other times a metaphoric path to Grlics stories and concurrently serve as a self-referential mechanism to comment on a series of film attributes. The entries can be read in any order, allowing for the readers own montage of the books universe. Grlic adroitly captures the absurdities and paradoxes in ones life resulting from the sort of tectonic shifts with which East European history abounds. One More for the Road recounts the life and career of Croatian filmmaker Rajko Grlic in the form of a film dictionary, tying cinematic terms to anecdotes spanning Grlics life. With a scholarly introduction by Aida Vidan, these personal stories combine to provide insight into the socialist film industries and south Slavic film. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781800732544
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