Martin Scorsese’s Cape Fear (1991) opens with a shot of water and climaxes on a raging river. Despite, or perhaps because of, the film’s great commercial success, critical analysis of the film typically does not delve beneath the surface of Scorsese’s first major box office hit. As it reaches its 30th anniversary, Cape Fear is now ripe for a full appraisal.
The remake of J. Lee Thompson’s 1962 Cape Fear was originally conceived as a straightforward thriller intended for Steven Spielberg. Author Rob Daniel investigates the fascinating ways Scorsese’s style and preoccupations transform his version into a horror epic. The director’s love of fear cinema, his Catholicism and filmmaking techniques shift Cape Fear into terrifying psychological and psychosexual waters. The analysis also examines the influence of Gothic literature and fairy tales, plus how academic approaches to genre aid an understanding of the film.
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Rob Daniel has written and lectured on the cinema of, amongst others, Dario Argento, David Cronenberg, David Lynch, Miike Takashi and Guillermo del Toro, and has over twenty years experience programming multiple UK TV channels.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Martin Scorsese's Cape Fear (1991) opens with a shot of water and climaxes on a raging river. Despite, or perhaps because of, the film's great commercial success, critical analysis of the film typically does not delve beneath the surface of Scorsese's first major box office hit. As it reaches its 30th anniversary, Cape Fear is now ripe for a full appraisal.The remake of J. Lee Thompson's 1962 Cape Fear was originally conceived as a straightforward thriller intended for Steven Spielberg. Author Rob Daniel investigates the fascinating ways Scorsese's style and preoccupations transform his version into a horror epic. The director's love of fear cinema, his Catholicism and filmmaking techniques shift Cape Fear into terrifying psychological and psychosexual waters. The analysis also examines the influence of Gothic literature and fairy tales, plus how academic approaches to genre aid an understanding of the film. N° de réf. du vendeur LU-9781800857025
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Paperback. Etat : New. Martin Scorsese's Cape Fear (1991) opens with a shot of water and climaxes on a raging river. Despite, or perhaps because of, the film's great commercial success, critical analysis of the film typically does not delve beneath the surface of Scorsese's first major box office hit. As it reaches its 30th anniversary, Cape Fear is now ripe for a full appraisal.The remake of J. Lee Thompson's 1962 Cape Fear was originally conceived as a straightforward thriller intended for Steven Spielberg. Author Rob Daniel investigates the fascinating ways Scorsese's style and preoccupations transform his version into a horror epic. The director's love of fear cinema, his Catholicism and filmmaking techniques shift Cape Fear into terrifying psychological and psychosexual waters. The analysis also examines the influence of Gothic literature and fairy tales, plus how academic approaches to genre aid an understanding of the film. N° de réf. du vendeur LU-9781800857025
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Paperback. Etat : new. Paperback. Martin Scorseses Cape Fear (1991) opens with a shot of water and climaxes on a raging river. Despite, or perhaps because of, the films great commercial success, critical analysis of the film typically does not delve beneath the surface of Scorseses first major box office hit. As it reaches its 30th anniversary, Cape Fear is now ripe for a full appraisal.The remake of J. Lee Thompsons 1962 Cape Fear was originally conceived as a straightforward thriller intended for Steven Spielberg. Author Rob Daniel investigates the fascinating ways Scorseses style and preoccupations transform his version into a horror epic. The directors love of fear cinema, his Catholicism and filmmaking techniques shift Cape Fear into terrifying psychological and psychosexual waters. The analysis also examines the influence of Gothic literature and fairy tales, plus how academic approaches to genre aid an understanding of the film. Martin Scorseses Cape Fear (1991) opens with a shot of water andclimaxes on a raging river. The directors love of fear cinema, his Catholicism and filmmaking techniques shift Cape Fear into terrifying psychological and psychosexual waters. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781800857025
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