The period from the 1850s to the 1890s in Paris marked a key turning point for poets and composers, as they grappled with the new ways in which poetry and music could intersect. Under the particular conditions of the time and place, both art forms underwent significant developments which challenged the status of each form. In both creative and critical work from this era, poets and composers offered tantalising but problematic insights into «musical» poetry and «poetic» music.
The central issue examined in this book is that of what happens to poetry when it encounters music, especially as song. The author places Baudelaire's famous sonnet «La Mort des amants» at the heart of the analysis, tracing its transposition into song by a succession of both amateur and professional composers, examining works by Villiers de l'Isle-Adam, Serpette, Rollinat, Debussy and Charpentier, as well as an extraordinary parodic song version by Valade and Verlaine.
A companion website offers recordings of each of the songs analysed in this book.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Helen Abbott is currently Professor of Modern Languages at the University of Birmingham. She specialises in relationships between poetry and music in nineteenth-century France and has published widely on Baudelaire, Debussy, Mallarmé and Villiers de l'Isle-Adam. She also promotes performance of French mélodie through regular collaboration with professional pianists and singers.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Broschur. Etat : Wie neu. vi, 215 Seiten : Illustrationen, Notenbeispiele Tadelloses, neuwertiges Exemplar. The period from the 1850s to the 1890s in Paris marked a key turning point for poets and composers, as they grappled with the new ways in which poetry and music could intersect. Under the particular conditions of the time and place, both art forms underwent significant developments which challenged the status of each form. In both creative and critical work from this era, poets and composers offered tantalising but problematic insights into «musical» poetry and «poetic» music. The central issue examined in this book is that of what happens to poetry when it encounters music, especially as song. The author places Baudelaire's famous sonnet «La Mort des amants» at the heart of the analysis, tracing its transposition into song by a succession of both amateur and professional composers, examining works by Villiers de l'Isle-Adam, Serpette, Rollinat, Debussy and Charpentier, as well as an extraordinary parodic song version by Valade and Verlaine. A companion website offers recordings of each of the songs analysed in this book. Contents List of Tables vii Music Recordings ix List of Abbreviations xi Acknowledgements xiii CHAPTER I Parisian Intersections i chapter 2 Liebestod 19 CHAPTER 3 Musical Theories 43 CHAPTER 4 Song 65 CHAPTER 5 Parody 133 CHAPTER 6 Legacy 157 Appendices Bibliography ISBN 9781803740102 Sprache: Englisch Gewicht in Gramm: 313. N° de réf. du vendeur 1231028
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The period from the 1850s to the 1890s in Paris marked a key turning point for poets and composers, as they grappled with the new ways in which poetry and music could intersect. Under the particular conditions of the time and place, both art forms underwent significant developments which challenged the status of each form. In both creative and critical work from this era, poets and composers offered tantalising but problematic insights into «musical» poetry and «poetic» music.The central issue examined in this book is that of what happens to poetry when it encounters music, especially as song. The author places Baudelaire's famous sonnet «La Mort des amants» at the heart of the analysis, tracing its transposition into song by a succession of both amateur and professional composers, examining works by Villiers de l'Isle-Adam, Serpette, Rollinat, Debussy and Charpentier, as well as an extraordinary parodic song version by Valade and Verlaine.A companion website offers recordings of each of the songs analysed in this book. 230 pp. Englisch. N° de réf. du vendeur 9781803740102
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