Nonhuman Cinema - Couverture rigide

Name: Nonhuman Cinema
ISBN: 9781804132630

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ISBN 10 : 1804132632 ISBN 13 : 9781804132630

Editeur : University of Exeter Press, 2026

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In an era defined by environmental crisis, artificial intelligence, and multispecies interdependence, what happens if we continue to ignore crucial nonhuman relationships that weigh so significantly on the future of the planet? Nonhuman Cinema explores how film can destabilize anthropocentrism and help us see and think beyond the human. In doing so, it defines what a nonhuman cinema might look like―its parameters, major characteristics, goals, and significance.

Bringing together leading scholars and filmmakers, this book introduces a new framework for understanding film as a site of entanglement between humans, animals, aliens, ecosystems, cyborgs, machines, galaxies and the natural world. It examines how films can decentre the human gaze, disrupt anthropocentric narratives, undermine ontological categories, and immerse viewers in unfamiliar territories, temporalities and sensoria. Importantly, it also asks what happens when cinema itself becomes nonhuman: when the camera is no longer viewed as an instrument of human vision but as a participant in the world’s material and sensory life.

Written and edited by individuals at the forefront of film and media theory, Nonhuman Cinema offers an original and vital intervention in contemporary thought. It will appeal to readers interested in film studies, media, philosophy, new materialism, environmental humanities, feminism, queer theory, art history, and to anyone curious about how cinema can help us rethink what ‘human’ really means in the twenty-first century.

Les informations fournies dans la section � Synopsis � peuvent faire r�f�rence � une autre �dition de ce titre.

� propos des auteurs

Barbara Creed is the Redmond Barry Distinguished Professor Emeritus at the University of Melbourne. She is the author of seven books including The Monstrous-Feminine: Film, Feminism, Psychoanalysis (1993, 2024), Return of the Monstrous-Feminine: Feminist New Wave Cinema (2022 ) and Stray: Human–Animal Ethics in the Anthropocene (2017). Her writings have been translated into eleven languages.

Crist�bal Escobar is a Lecturer in Screen Studies at the University of Melbourne and a Film Programmer at the Santiago International Documentary Film Festival. He is the author of The Intensive-Image in Deleuze’s Film-Philosophy (2023), editor of Cine Cartogr�fico (2017), and is currently writing a monograph on Mestizaje and Cinema.

Les informations fournies dans la section � A propos du livre � peuvent faire r�f�rence � une autre �dition de ce titre.

�diteur: University of Exeter Press
Date d'�dition: 2026
Langue: anglais
ISBN 10: 1804132632
ISBN 13: 9781804132630
Reliure: Tapa dura
Nombre de pages: 282
�diteur: Creed Barbara, Escobar Crist�bal
Coordonn�es du fabricant: non disponible
Personne responsable: gpsr@libri.de
gpsr@libri.de

Europaallee 1
Bad Hersfeld
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Allemagne

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Nonhuman Cinema (Hardcover)

Barbara Creed

Edit� par University of Exeter Press, Exeter, 2026

ISBN 10 : 1804132632 ISBN 13 : 9781804132630

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Hardcover. Etat : new. Hardcover. In an era defined by environmental crisis, artificial intelligence, and multispecies interdependence, what happens if we continue to ignore crucial nonhuman relationships that weigh so significantly on the future of the planet? Nonhuman Cinema explores how film can destabilize anthropocentrism and help us see and think beyond the human. In doing so, it defines what a nonhuman cinema might look likeits parameters, major characteristics, goals, and significance.Bringing together leading scholars and filmmakers, this book introduces a new framework for understanding film as a site of entanglement between humans, animals, aliens, ecosystems, cyborgs, machines, galaxies and the natural world. It examines how films can decentre the human gaze, disrupt anthropocentric narratives, undermine ontological categories, and immerse viewers in unfamiliar territories, temporalities and sensoria. Importantly, it also asks what happens when cinema itself becomes nonhuman: when the camera is no longer viewed as an instrument of human vision but as a participant in the worlds material and sensory life.Written and edited by individuals at the forefront of film and media theory, Nonhuman Cinema offers an original and vital intervention in contemporary thought. It will appeal to readers interested in film studies, media, philosophy, new materialism, environmental humanities, feminism, queer theory, art history, and to anyone curious about how cinema can help us rethink what human really means in the twenty-first century. This book proposes a radical new nonhuman cinema: it examines how cinema challenges human superiority and the anthropocentric gaze while opening up new sensory, ethical, and material encounters between human and nonhuman, including the cinematic apparatus itself. It raises key ethical questions about nonhuman agency and the future of the planet. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N� de r�f. du vendeur 9781804132630

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Nonhuman Cinema

Barbara Creed (u. a.)

Edit� par University of Exeter Press, 2026

ISBN 10 : 1804132632 ISBN 13 : 9781804132630

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Nonhuman Cinema (Hardcover)

Barbara Creed

Edit� par University of Exeter Press, Exeter, 2026

ISBN 10 : 1804132632 ISBN 13 : 9781804132630

Neuf Couverture rigide

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Hardcover. Etat : new. Hardcover. In an era defined by environmental crisis, artificial intelligence, and multispecies interdependence, what happens if we continue to ignore crucial nonhuman relationships that weigh so significantly on the future of the planet? Nonhuman Cinema explores how film can destabilize anthropocentrism and help us see and think beyond the human. In doing so, it defines what a nonhuman cinema might look likeits parameters, major characteristics, goals, and significance.Bringing together leading scholars and filmmakers, this book introduces a new framework for understanding film as a site of entanglement between humans, animals, aliens, ecosystems, cyborgs, machines, galaxies and the natural world. It examines how films can decentre the human gaze, disrupt anthropocentric narratives, undermine ontological categories, and immerse viewers in unfamiliar territories, temporalities and sensoria. Importantly, it also asks what happens when cinema itself becomes nonhuman: when the camera is no longer viewed as an instrument of human vision but as a participant in the worlds material and sensory life.Written and edited by individuals at the forefront of film and media theory, Nonhuman Cinema offers an original and vital intervention in contemporary thought. It will appeal to readers interested in film studies, media, philosophy, new materialism, environmental humanities, feminism, queer theory, art history, and to anyone curious about how cinema can help us rethink what human really means in the twenty-first century. This book proposes a radical new nonhuman cinema: it examines how cinema challenges human superiority and the anthropocentric gaze while opening up new sensory, ethical, and material encounters between human and nonhuman, including the cinematic apparatus itself. It raises key ethical questions about nonhuman agency and the future of the planet. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N� de r�f. du vendeur 9781804132630

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Nonhuman Cinema

Barbara Creed

Edit� par University Of Exeter Press, 2026

ISBN 10 : 1804132632 ISBN 13 : 9781804132630

Neuf Couverture rigide

impression � la demande

Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne

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Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In an era defined by environmental crisis, artificial intelligence, and multispecies interdependence, what happens if we continue to ignore crucial nonhuman relationships that weigh so significantly on the future of the planet Nonhuman Cinema explores how film can destabilize anthropocentrism and help us see and think beyond the human. In doing so, it defines what a nonhuman cinema might look like--its parameters, major characteristics, goals, and significance. Bringing together leading scholars and filmmakers, this book introduces a new framework for understanding film as a site of entanglement between humans, animals, aliens, ecosystems, cyborgs, machines, galaxies and the natural world. It examines how films can decentre the human gaze, disrupt anthropocentric narratives, undermine ontological categories, and immerse viewers in unfamiliar territories, temporalities and sensoria. Importantly, it also asks what happens when cinema itself becomes nonhuman: when the camera is no longer viewed as an instrument of human vision but as a participant in the world's material and sensory life. Written and edited by individuals at the forefront of film and media theory, Nonhuman Cinema offers an original and vital intervention in contemporary thought. It will appeal to readers interested in film studies, media, philosophy, new materialism, environmental humanities, feminism, queer theory, art history, and to anyone curious about how cinema can help us rethink what 'human' really means in the twenty-first century. N� de r�f. du vendeur 9781804132630

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