Helen and her young baby, Rose, are awake. It is first thing on a new morning. They move, they rest, they communicate; Rose feeds. Thoughts and associations travel far beyond the remit of the front room in their rented flat, which they pace, and which, alive with them, continually becomes new. Their delicate balance is interrupted by the delivery of A History of Tom Jones by Henry Fielding – a novel which describes itself, semi-seriously, as inventing the novel-form for the very first time. As the morning progresses, Helen starts reading it. Indirectly, and each in their own distinct ways, Helen and Rose start thinking about it: its claims to newness, its length, its essayistic digressions, its invitation to imagine old and new forms of life, writing, and experience.
The Long Form, Windham Campbell Prize-winner Kate Briggs’ long-awaited debut fiction, unmakes and remakes the novel to meditate on very real social issues, from housing, to care-taking, to friendship, laying bare the settings and support structures that make durational forms of co-existence first thinkable, then possible. At once acrobatic and deeply attentive, The Long Form insists on the creativity inherent in everyday life, showing how the acts of social composition (living arrangements) are continuous with the acts of artistic composition (page arrangements). It is a brilliant novel of profound contrasts and productive co-dependencies, in which the small details of a day speak to the largest questions of form, responsibility, continuation and love.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Kate Briggs grew up in Somerset, UK, and lives and works in Rotterdam, NL, where she founded and co-runs the writing and publishing project ‘Short Pieces That Move’. She is the translator of two volumes of Roland Barthes’s lecture and seminar notes at the Collège de France: The Preparation of the Novel and How to Live Together, both published by Columbia University Press. This Little Art, her genre-bending essay on the art of translation, was published by Fitzcarraldo Editions in 2017. In 2021, she was awarded a Windham-Campbell Prize. Her debut novel, The Long Form, was published by Fitzcarraldo Editions in 2023 and shortlisted for the Goldsmiths Prize the same year.
Helen and her young baby, Rose, are awake. It is first thing on a new morning. They move, they rest, they communicate; Rose feeds. Thoughts and associations travel far beyond the remit of the front room in their rented flat, which they pace, and which, alive with them, continually becomes new. Their delicate balance is interrupted by the delivery of A History of Tom Jones by Henry Fielding – a novel which describes itself, semi-seriously, as inventing the novel-form for the very first time. As the morning progresses, Helen starts reading it. Indirectly, and each in their own distinct ways, Helen and Rose start thinking about it: its claims to newness, its length, its essayistic digressions, its invitation to imagine old and new forms of life, writing, and experience.
The Long Form, Windham Campbell Prize-winner Kate Briggs’ long-awaited debut fiction, unmakes and remakes the novel to meditate on very real social issues, from housing, to care-taking, to friendship, laying bare the settings and support structures that make durational forms of co-existence first thinkable, then possible. At once acrobatic and deeply attentive, The Long Form insists on the creativity inherent in everyday life, showing how the acts of social composition (living arrangements) are continuous with the acts of artistic composition (page arrangements). It is a brilliant novel of profound contrasts and productive co-dependencies, in which the small details of a day speak to the largest questions of form, responsibility, continuation and love.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. It's early morning and there's a whole new day ahead. How will it unfold? The baby will feed, hopefully she'll sleep; Helen looks out of the window. The Long Form is the story of two people composing a day together. It is a day of movements and improvisations, common and uncommon rhythms, stopping and starting again. As the morning progresses, a book - The History of Tom Jones by Henry Fielding - gets delivered, and the scope of the day widens further. Matters of care-work share ground with matters of friendship, housing, translation, aesthetics and creativity. Small incidents of the day revive some of the oldest preoccupations of the novel: the force of social circumstance, the power of names, the meaning of duration and the work of love. With lightness and precision, Kate Briggs renews Henry Fielding's proposition for what a novel can be, combining fiction and essay to write an extraordinary domestic novel of far-reaching ideas. N° de réf. du vendeur LU-9781804270325
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Paperback. Etat : New. It's early morning and there's a whole new day ahead. How will it unfold? The baby will feed, hopefully she'll sleep; Helen looks out of the window. The Long Form is the story of two people composing a day together. It is a day of movements and improvisations, common and uncommon rhythms, stopping and starting again. As the morning progresses, a book - The History of Tom Jones by Henry Fielding - gets delivered, and the scope of the day widens further. Matters of care-work share ground with matters of friendship, housing, translation, aesthetics and creativity. Small incidents of the day revive some of the oldest preoccupations of the novel: the force of social circumstance, the power of names, the meaning of duration and the work of love. With lightness and precision, Kate Briggs renews Henry Fielding's proposition for what a novel can be, combining fiction and essay to write an extraordinary domestic novel of far-reaching ideas. N° de réf. du vendeur LU-9781804270325
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