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Synopsis
The ways we encounter contemporary art and performance is changing. Installations brim with archival documents. Dances stretch for weeks. Performances last a minute. Exhibitions are spread out over thirty venues. There are endless artworks about mid-century architecture and design. How are we expected to engage with today's diverse practise? Is the old model of close-looking still the ideal, or has it given way to browsing, skimming, and sampling?
Across four essays, art historian and critic Claire Bishop identifies trends in contemporary practice -
research-based installations, performance exhibitions, interventions, and invocations of modernist
architecture - and their challenges to traditional modes of attention. Charting a critical path through the last
three decades, Bishop pinpoints how spectatorship and visual literacy are evolving under the pressures of
digital technology.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l?auteur
Claire Bishop is a Professor in the PhD Program in Art History at the Graduate Center, City University of New York. Her books include Installation Art: A Critical History and the award winning, Artificial Hells: Participatory Art and the Politics of Spectatorship.
À propos de la quatrième de couverture
The ways we encounter contemporary art and performance is changing. Installations brim with archival documents. Dances stretch for weeks. Performances last a minute. Exhibitions are spread out over thirty venues. There are endless artworks about mid-century architecture and design. How are we expected to engage with today's diverse practise? Is the old model of close-looking still the ideal, or has it given way to browsing, skimming, and sampling?
Across four essays, art historian and critic Claire Bishop identifies trends in contemporary practice -
research-based installations, performance exhibitions, interventions, and invocations of modernist
architecture - and their challenges to traditional modes of attention. Charting a critical path through the last
three decades, Bishop pinpoints how spectatorship and visual literacy are evolving under the pressures of
digital technology.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. The ways we encounter contemporary art and performance is changing. Installations brim with archival documents. Dances stretch for weeks. Performances last a minute. Exhibitions are spread out over thirty venues. There are endless artworks about mid-century architecture and design. How are we expected to engage with today's diverse practise? Is the old model of close-looking still the ideal, or has it given way to browsing, skimming, and sampling?Across four essays, art historian and critic Claire Bishop identifies trends in contemporary practice - research-based installations, performance exhibitions, interventions, and invocations of modernist architecture - and their challenges to traditional modes of attention. Charting a critical path through the last three decades, Bishop pinpoints how spectatorship and visual literacy are evolving under the pressures of digital technology. N° de réf. du vendeur LU-9781804292884
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Hardcover. Etat : new. Hardcover. The ways we encounter contemporary art and performance is changing. Installations brim with archival documents. Dances stretch for weeks. Performances last a minute. Exhibitions are spread out over thirty venues. There are endless artworks about mid-century architecture and design. How are we expected to engage with today's diverse practise? Is the old model of close-looking still the ideal, or has it given way to browsing, skimming, and sampling?Across four essays, art historian and critic Claire Bishop identifies trends in contemporary practice - research-based installations, performance exhibitions, interventions, and invocations of modernistarchitecture - and their challenges to traditional modes of attention. Charting a critical path through the lastthree decades, Bishop pinpoints how spectatorship and visual literacy are evolving under the pressures ofdigital technology. How technology and the attention economy has impacted contemporary art Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781804292884
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Hardback. Etat : New. The ways we encounter contemporary art and performance is changing. Installations brim with archival documents. Dances stretch for weeks. Performances last a minute. Exhibitions are spread out over thirty venues. There are endless artworks about mid-century architecture and design. How are we expected to engage with today's diverse practise? Is the old model of close-looking still the ideal, or has it given way to browsing, skimming, and sampling?Across four essays, art historian and critic Claire Bishop identifies trends in contemporary practice - research-based installations, performance exhibitions, interventions, and invocations of modernist architecture - and their challenges to traditional modes of attention. Charting a critical path through the last three decades, Bishop pinpoints how spectatorship and visual literacy are evolving under the pressures of digital technology. N° de réf. du vendeur LU-9781804292884
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