Why should an artist’s way of looking at the world have any meaning for us? Any artwork reflects the artist’s intentions, but also its times: therefore all art is political
In Permanent Red, John Berger argues that the contemporary artist should strive for a realism that aims for hope, to transform the world. Surveying the work of historical artists as well as that of near contemporaries such as Picasso, Léger and Matisse, he explores the role of the artist, dividing these figures into those that struggle, those that fail, and the true masters. He explains why we should study the work of the past: in order to understand the present and to rethink the future.
First published in 1960, Permanent Red established John Berger as a firebrand critic willing to broadcast controversial opinions on some of the most important British artists of the day, including Henry Moore and Barbara Hepworth.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Storyteller, novelist, essayist, screenwriter, dramatist and critic, John Berger (1926-2017) was one of the most internationally influential writers of the last fifty years. His many books include Ways of Seeing; the fiction trilogy Into Their Labours; Here Is Where We Meet; the Booker Prize-winning novel G; Hold Everything Dear; the Man Booker-longlisted From A to X; and A Seventh Man.
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Paperback. Etat : Good. Why should an artist's way of looking at the world have any meaning for us? Any artwork reflects the artist's intentions, but also its times: therefore all art is political. N° de réf. du vendeur 00110319607
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Good. Why should an artist's way of looking at the world have any meaning for us? Any artwork reflects the artist's intentions, but also its times: therefore all art is political. N° de réf. du vendeur CIN1804298476G
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. In Permanent Red, John Berger argues that the contemporary artist should strive for a realism that aims for hope, to transform the world. Surveying the work of historical artists as well as that of near contemporaries such as Picasso, Léger and Matisse, he explores the role of the artist, dividing these figures into those that struggle, those that fail, and the true masters. He explains why we should study the work of the past: in order to understand the present and to rethink the future.First published in 1960, Permanent Red established John Berger as a firebrand critic willing to broadcast controversial opinions on some of the most important British artists of the day, including Henry Moore and Barbara Hepworth. N° de réf. du vendeur LU-9781804298473
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Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Paperback. Etat : New. In Permanent Red, John Berger argues that the contemporary artist should strive for a realism that aims for hope, to transform the world. Surveying the work of historical artists as well as that of near contemporaries such as Picasso, Léger and Matisse, he explores the role of the artist, dividing these figures into those that struggle, those that fail, and the true masters. He explains why we should study the work of the past: in order to understand the present and to rethink the future.First published in 1960, Permanent Red established John Berger as a firebrand critic willing to broadcast controversial opinions on some of the most important British artists of the day, including Henry Moore and Barbara Hepworth. N° de réf. du vendeur LU-9781804298473
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Paperback or Softback. Etat : New. Permanent Red: Essays in Seeing. Book. N° de réf. du vendeur BBS-9781804298473
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Controversial first collection of writing on art from John Berger, author of Ways of Seeing.When first published in 1960 Permanent Red established John Berger as a firebrand critic who was willing to broadcast controversial opinions on some of the most important British artists of the day, including Henry Moore and Barbara Hepworth.Why should an artist's way of looking at the world have any meaning for us? Why does it give us pleasure? Any artwork reflects the artists intentions, but also its times: therefore all art is political. In his first collection of writing on art, Permanent Red, published in 1960, John Berger controversially argues that the contemporary artist should strive for a realism that aims for hope, to improve the world. Surveying the work of both historic figures as well as contemporary artists such as Picasso, Leger and Matisse, he explore the role of the artists and divides them into ones that struggle, ones that fail and twentieth century masters. He also argues why we should study the work of the past in order to understand the present and to rethink the future. A reissue of John Berger's first collection of essays on Art, politics and creativity Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781804298473
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Vendeur : Chiron Media, Wallingford, Royaume-Uni
paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. N° de réf. du vendeur 6666-MAC-9781804298473
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Vendeur : Chiron Media, Wallingford, Royaume-Uni
paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. N° de réf. du vendeur 6666-LBR-9781804298473
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