Over 27 years and across 23 countries, Mark Power captured photographs at various sites where items were crafted or manufactured. Most images were commissioned, ranging from well-known architectural sites to lesser-known locations. Some focus on minute details, while others showcase Power's ability to capture grand scenes. The images, devoid of captions or dates, are sequenced based on visual connections of color, form, and light, revealing a subtle humor in details. This project, influenced by Mike Mandel and Larry Sultan's 'Evidence', began in 2018 and includes early photographs from the Millennium Dome's construction. It celebrates the potential of artistic freedom within commercial settings.
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Unknown. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G1805980017I2N00
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. N° de réf. du vendeur 408575811
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. N° de réf. du vendeur MFAGX4GSCH
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Vendeur : Books Puddle, New York, NY, Etats-Unis
Etat : New. N° de réf. du vendeur 26405659804
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Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. N° de réf. du vendeur 18405659798
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. The majority of the images were made while on commission. Some are of recognisable architectural landmarks while others are more obscure. Some focus on tiny, often overlooked details while others demonstrate Powers skill at capturing the monumental. Collectively they reveal an ongoing practice where every photograph is meticulously composed and considered. Importantly, the images in the book are devoid of captions, descriptions or dates. As a result they are sequenced neither by location nor chronologically but solely by use of visual links of colour, form and light. A gentle humour is often revealed in the detailsa hole in a shoe, rows of white gloves hung out to dry or a painstakingly arranged cupboard of brooms and brushes. Removed from their original commercial or industrial context they become elusive and poetic. Power began looking at his archive of construction pictures in this way during a Magnum Photos Live Lab at The House of Beautiful Business in Lisbon in 2018, when he worked collaboratively to attempt to sequence around 200 photographs. Influenced then and now by Mike Mandel and Larry Sultans landmark book Evidence (1977), Powers project has grown and evolved over the following seven years to this published form. The earliest photographs in the book were made during the construction of the Millennium Dome (1997-2000), documented by Power in over one hundred site visits. This work returned to the 19th century tradition of a singular photographer documenting the construction of great public building from start to finish. However, before he took a single picture he carefully negotiated the freedom to make his own work on the site, rather than be told what to photograph, or how. Ever since, his work has followed this same formula. Fashion is, in part, a celebration of what is possible within the commercial world if there is trust on both sides and the photographer is given artistic licence and liberty. FASHION [fash-uhn] v., transitive. (a) To make or construct (something) out of constituent parts; to put together. (b) To form, mould, or shape (something or someone); to make or create (something) by a process of shaping or moulding. (c) To give (something) a shape or form appropriate to or suitable for something; to adjust or adapt to a purpose, a situation, an outcome, etc. (Oxford English Dictionary). The photographs in FASHION were made by Mark Power over a period of 27 years and across 23 countries. They were taken at construction sites, factories, quarries, shipyards, foundries, recycling facilities, theatres and other locations where things are being made, or fashioned. Please note, the book weighs nearly 3kg and so postage costs are higher than usual to account for this. PHotoESPANA 2026: Winner of the Best Photography Book of the Year Award ( Creative Category) Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781805980018
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. In Stock. N° de réf. du vendeur __1805980017
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Vendeur : CitiRetail, Stevenage, Royaume-Uni
Hardcover. Etat : new. Hardcover. The majority of the images were made while on commission. Some are of recognisable architectural landmarks while others are more obscure. Some focus on tiny, often overlooked details while others demonstrate Powers skill at capturing the monumental. Collectively they reveal an ongoing practice where every photograph is meticulously composed and considered. Importantly, the images in the book are devoid of captions, descriptions or dates. As a result they are sequenced neither by location nor chronologically but solely by use of visual links of colour, form and light. A gentle humour is often revealed in the detailsa hole in a shoe, rows of white gloves hung out to dry or a painstakingly arranged cupboard of brooms and brushes. Removed from their original commercial or industrial context they become elusive and poetic. Power began looking at his archive of construction pictures in this way during a Magnum Photos Live Lab at The House of Beautiful Business in Lisbon in 2018, when he worked collaboratively to attempt to sequence around 200 photographs. Influenced then and now by Mike Mandel and Larry Sultans landmark book Evidence (1977), Powers project has grown and evolved over the following seven years to this published form. The earliest photographs in the book were made during the construction of the Millennium Dome (1997-2000), documented by Power in over one hundred site visits. This work returned to the 19th century tradition of a singular photographer documenting the construction of great public building from start to finish. However, before he took a single picture he carefully negotiated the freedom to make his own work on the site, rather than be told what to photograph, or how. Ever since, his work has followed this same formula. Fashion is, in part, a celebration of what is possible within the commercial world if there is trust on both sides and the photographer is given artistic licence and liberty. FASHION [fash-uhn] v., transitive. (a) To make or construct (something) out of constituent parts; to put together. (b) To form, mould, or shape (something or someone); to make or create (something) by a process of shaping or moulding. (c) To give (something) a shape or form appropriate to or suitable for something; to adjust or adapt to a purpose, a situation, an outcome, etc. (Oxford English Dictionary). The photographs in FASHION were made by Mark Power over a period of 27 years and across 23 countries. They were taken at construction sites, factories, quarries, shipyards, foundries, recycling facilities, theatres and other locations where things are being made, or fashioned. Please note, the book weighs nearly 3kg and so postage costs are higher than usual to account for this. PHotoESPANA 2026: Winner of the Best Photography Book of the Year Award ( Creative Category) Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781805980018
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Vendeur : AussieBookSeller, Truganina, VIC, Australie
Hardcover. Etat : new. Hardcover. The majority of the images were made while on commission. Some are of recognisable architectural landmarks while others are more obscure. Some focus on tiny, often overlooked details while others demonstrate Powers skill at capturing the monumental. Collectively they reveal an ongoing practice where every photograph is meticulously composed and considered. Importantly, the images in the book are devoid of captions, descriptions or dates. As a result they are sequenced neither by location nor chronologically but solely by use of visual links of colour, form and light. A gentle humour is often revealed in the detailsa hole in a shoe, rows of white gloves hung out to dry or a painstakingly arranged cupboard of brooms and brushes. Removed from their original commercial or industrial context they become elusive and poetic. Power began looking at his archive of construction pictures in this way during a Magnum Photos Live Lab at The House of Beautiful Business in Lisbon in 2018, when he worked collaboratively to attempt to sequence around 200 photographs. Influenced then and now by Mike Mandel and Larry Sultans landmark book Evidence (1977), Powers project has grown and evolved over the following seven years to this published form. The earliest photographs in the book were made during the construction of the Millennium Dome (1997-2000), documented by Power in over one hundred site visits. This work returned to the 19th century tradition of a singular photographer documenting the construction of great public building from start to finish. However, before he took a single picture he carefully negotiated the freedom to make his own work on the site, rather than be told what to photograph, or how. Ever since, his work has followed this same formula. Fashion is, in part, a celebration of what is possible within the commercial world if there is trust on both sides and the photographer is given artistic licence and liberty. FASHION [fash-uhn] v., transitive. (a) To make or construct (something) out of constituent parts; to put together. (b) To form, mould, or shape (something or someone); to make or create (something) by a process of shaping or moulding. (c) To give (something) a shape or form appropriate to or suitable for something; to adjust or adapt to a purpose, a situation, an outcome, etc. (Oxford English Dictionary). The photographs in FASHION were made by Mark Power over a period of 27 years and across 23 countries. They were taken at construction sites, factories, quarries, shipyards, foundries, recycling facilities, theatres and other locations where things are being made, or fashioned. Please note, the book weighs nearly 3kg and so postage costs are higher than usual to account for this. PHotoESPANA 2026: Winner of the Best Photography Book of the Year Award ( Creative Category) Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781805980018
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