How archives perform and live performance is archived.
Emerging from the first retrospective exhibition of performance art icon Jess Dobkin, this book reflects on the internationally acclaimed artist's playful and provocative practice as a performer, curator, and community activist. At the same time, it grapples with a vital question for art and performance studies: How do archives perform? More than a discrete showing of a single artist's work, the exhibition, including its new staging in book form, is a large-scale research experiment in performance curation that investigates how art institutions can address the embodied and communal nature of performance art in their practices of archiving and museological display. In Jess Dobkin's Wetrospective, copublished with the Art Gallery of York University, renowned international performance scholars and artists dive into this exploration alongside exhibition curator Emelie Chhangur, performance theorist and dramaturg Laura Levin, and Dobkin herself. These contributions are visually aided by a riot of full-color photographs, providing unparalleled access to Dobkin's celebrated artistic productions from the last thirty years.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Laura Levin is associate professor of theatre & performance studies and associate dean, research in the School of the Arts, Media, Performance and Design at York University. She is director of the Hemispheric Encounters Network and author of Performing Ground: Space, Camouflage, and the Art of Blending In.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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