A critical study of the theories of Russian literary critic and philosopher Mikhail Bakhtin (1895–1975), considering how his concepts can offer valuable new approaches to interpreting visual art.
This work is the first to propose a cohesive methodology for applying Bakhtin’s thought to visual art, drawing on intermediary frameworks developed by Susanne Langer, Norman Bryson, Vygotsky, Pavel Florensky, Philip Rawson, Michael Baxandall, and Gilles Deleuze. Bakhtin’s philosophical and linguistic insights are examined in relation to works by Giotto, Riemenschneider, Velázquez, Cézanne, Picasso, Rauschenberg, Marlene Dumas, Bontecou, Caro, and Ghenie.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David Olivant is a visual artist with an MA from the Royal College of Art. He is emeritus professor of painting from California State University -Stanislaus where he taught painting and art theory for 25 years.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. A critical study applying Mikhail Bakhtin's theories to the study of visual art. This work is the first to propose a cohesive methodology for applying Russian philosopher and literary critic Mikhail Bakhtin's thought to visual art. David Olivant draws on intermediary frameworks developed by Susanne Langer, Norman Bryson, Lev Vygotsky, Pavel Florensky, Philip Rawson, Michael Baxandall, and Gilles Deleuze. Bakhtin's philosophical and linguistic insights are examined in relation to works by Giotto, Tilman Riemenschneider, Diego Velazquez, Paul Cezanne, Pablo Picasso, Robert Rauschenberg, Marlene Dumas, Lee Bontecou, Anthony Caro, and Adrian Ghenie. First book to develop methodology for transposing Bakhtins thought to visual art. Achieved via transpositional theories from S Langer, N Bryson, Vygotsky, P Florensky, P Rawson, Baxandall and Deleuze. Bakhtins insights applied to Giotto, Riemenschneider Velasquez, Cezanne, Picasso, Rauschenberg, Bontecou, Caro and Ghenie. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781835953426
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Paperback. Etat : new. Paperback. A critical study applying Mikhail Bakhtin's theories to the study of visual art. This work is the first to propose a cohesive methodology for applying Russian philosopher and literary critic Mikhail Bakhtin's thought to visual art. David Olivant draws on intermediary frameworks developed by Susanne Langer, Norman Bryson, Lev Vygotsky, Pavel Florensky, Philip Rawson, Michael Baxandall, and Gilles Deleuze. Bakhtin's philosophical and linguistic insights are examined in relation to works by Giotto, Tilman Riemenschneider, Diego Velazquez, Paul Cezanne, Pablo Picasso, Robert Rauschenberg, Marlene Dumas, Lee Bontecou, Anthony Caro, and Adrian Ghenie. First book to develop methodology for transposing Bakhtins thought to visual art. Achieved via transpositional theories from S Langer, N Bryson, Vygotsky, P Florensky, P Rawson, Baxandall and Deleuze. Bakhtins insights applied to Giotto, Riemenschneider Velasquez, Cezanne, Picasso, Rauschenberg, Bontecou, Caro and Ghenie. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781835953426
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Taschenbuch. Etat : Neu. Neuware - A critical study applying Mikhail Bakhtin's theories to the study of visual art.This work is the first to propose a cohesive methodology for applying Russian philosopher and literary critic Mikhail Bakhtin's thought to visual art. David Olivant draws on intermediary frameworks developed by Susanne Langer, Norman Bryson, Lev Vygotsky, Pavel Florensky, Philip Rawson, Michael Baxandall, and Gilles Deleuze. Bakhtin's philosophical and linguistic insights are examined in relation to works by Giotto, Tilman Riemenschneider, Diego Velázquez, Paul Cézanne, Pablo Picasso, Robert Rauschenberg, Marlene Dumas, Lee Bontecou, Anthony Caro, and Adrian Ghenie. N° de réf. du vendeur 9781835953426
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Paperback. Etat : new. Paperback. A critical study applying Mikhail Bakhtin's theories to the study of visual art. This work is the first to propose a cohesive methodology for applying Russian philosopher and literary critic Mikhail Bakhtin's thought to visual art. David Olivant draws on intermediary frameworks developed by Susanne Langer, Norman Bryson, Lev Vygotsky, Pavel Florensky, Philip Rawson, Michael Baxandall, and Gilles Deleuze. Bakhtin's philosophical and linguistic insights are examined in relation to works by Giotto, Tilman Riemenschneider, Diego Velazquez, Paul Cezanne, Pablo Picasso, Robert Rauschenberg, Marlene Dumas, Lee Bontecou, Anthony Caro, and Adrian Ghenie. First book to develop methodology for transposing Bakhtins thought to visual art. Achieved via transpositional theories from S Langer, N Bryson, Vygotsky, P Florensky, P Rawson, Baxandall and Deleuze. Bakhtins insights applied to Giotto, Riemenschneider Velasquez, Cezanne, Picasso, Rauschenberg, Bontecou, Caro and Ghenie. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781835953426
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