Unlike Jope's previous two Shearsman collections, this one mixes prose-poetry with (free) verse. Writing in Ambit about Jope's Dreams of the Caucasus, Donald Gardner wrote that his reach 'is romantic and wide, not only geographically - from the Sahara to the Hungarian puszta and on to the Arctic Circle. As with much travel writing, there is a goal beyond the journey. These texts are an attempt to read nature for signs and they also represent a quest for the elemental in himself, a sort of spiritual geology'.
These concerns remain central, with locations ranging as far afield as the American Rockies and the Aegean Sea and a blend of first-hand and virtual experience. One section focuses on visits to Italy, and the titular poem of the collection reflects this - prompted as it was by a visit to the Keats-Shelley House in Rome, where Keats lamented the 'posthumous existence' he felt himself confined to in a letter sent in November 1820 to Charles Armitage Brown. By contrast, the sequence 'The Supreme Experiment' depicts the imagined world of an early Christian anchorite in the Sinai Desert and is (perhaps) an exercise in 'negative capability'.
There's also a continued engagement with music and film - most notably the New German Cinema of the 1970s, which remains central to Jope's cultural land-scape along with the experimental music of that time and place. The political concerns of those traditions seem relevant, moreover, to the turbulent landscape of the UK in the late 2010s - some are directly responsive to the Brexit referendum and its tortuous aftermath, as befitting the author's own sense of threatened European identity during that period.
Perhaps it's not just the author who might lead a 'posthumous existence' but also the poem, which is inevitably the product of a time and a place that has passed. The question of what might remain current is unanswerable, all the more so at the time of composition, but there is always the hope of a hospitable shore that these poems seek.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
This is Norman Jope's eighth full-length collection and his third from Shearsman, after Dreams of the Caucasus (2010) and The Rest of the World (2021). Three further collections have appeared from Waterloo Press, and one from Stride; he has also co-edited a Critical Companion to Richard Berengarten (2011; 2nd edn. Shearsman, 2016). A further collection, Golyak es retesek (Storks and Strudels), was published in Zoltan Tarscay's Hungarian translation in 2018.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Unlike Jope's previous two Shearsman collections, this one mixes prose-poetry with (free) verse. Writing in Ambit about Jope's Dreams of the Caucasus, Donald Gardner wrote that his reach 'is romantic and wide, not only geographically - from the Sahara to the Hungarian puszta and on to the Arctic Circle. As with much travel writing, there is a goal beyond the journey. These texts are an attempt to read nature for signs and they also represent a quest for the elemental in himself, a sort of spiritual geology'.These concerns remain central, with locations ranging as far afield as the American Rockies and the Aegean Sea and a blend of first-hand and virtual experience. One section focuses on visits to Italy, and the titular poem of the collection reflects this - prompted as it was by a visit to the Keats-Shelley House in Rome, where Keats lamented the 'posthumous existence' he felt himself confined to in a letter sent in November 1820 to Charles Armitage Brown. By contrast, the sequence 'The Supreme Experiment' depicts the imagined world of an early Christian anchorite in the Sinai Desert and is (perhaps) an exercise in 'negative capability'.There's also a continued engagement with music and film - most notably the New German Cinema of the 1970s, which remains central to Jope's cultural land-scape along with the experimental music of that time and place. The political concerns of those traditions seem relevant, moreover, to the turbulent landscape of the UK in the late 2010s - some are directly responsive to the Brexit referendum and its tortuous aftermath, as befitting the author's own sense of threatened European identity during that period.Perhaps it's not just the author who might lead a 'posthumous existence' but also the poem, which is inevitably the product of a time and a place that has passed. The question of what might remain current is unanswerable, all the more so at the time of composition, but there is always the hope of a hospitable shore that these poems seek. N° de réf. du vendeur LU-9781837380190
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Paperback. Etat : new. Paperback. Unlike Jope's previous two Shearsman collections, this one mixes prose-poetry with (free) verse. Writing in Ambit about Jope's Dreams of the Caucasus, Donald Gardner wrote that his reach 'is romantic and wide, not only geographically - from the Sahara to the Hungarian puszta and on to the Arctic Circle. As with much travel writing, there is a goal beyond the journey. These texts are an attempt to read nature for signs and they also represent a quest for the elemental in himself, a sort of spiritual geology'.These concerns remain central, with locations ranging as far afield as the American Rockies and the Aegean Sea and a blend of first-hand and virtual experience. One section focuses on visits to Italy, and the titular poem of the collection reflects this - prompted as it was by a visit to the Keats-Shelley House in Rome, where Keats lamented the 'posthumous existence' he felt himself confined to in a letter sent in November 1820 to Charles Armitage Brown. By contrast, the sequence 'The Supreme Experiment' depicts the imagined world of an early Christian anchorite in the Sinai Desert and is (perhaps) an exercise in 'negative capability'.There's also a continued engagement with music and film - most notably the New German Cinema of the 1970s, which remains central to Jope's cultural land-scape along with the experimental music of that time and place. The political concerns of those traditions seem relevant, moreover, to the turbulent landscape of the UK in the late 2010s - some are directly responsive to the Brexit referendum and its tortuous aftermath, as befitting the author's own sense of threatened European identity during that period.Perhaps it's not just the author who might lead a 'posthumous existence' but also the poem, which is inevitably the product of a time and a place that has passed. The question of what might remain current is unanswerable, all the more so at the time of composition, but there is always the hope of a hospitable shore that these poems seek. As with much travel writing, there is a goal beyond the journey. These texts are an attempt to read nature for signs and they also represent a quest for the elemental in himself, a sort of spiritual geology'. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781837380190
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Paperback. Etat : new. Paperback. Unlike Jope's previous two Shearsman collections, this one mixes prose-poetry with (free) verse. Writing in Ambit about Jope's Dreams of the Caucasus, Donald Gardner wrote that his reach 'is romantic and wide, not only geographically - from the Sahara to the Hungarian puszta and on to the Arctic Circle. As with much travel writing, there is a goal beyond the journey. These texts are an attempt to read nature for signs and they also represent a quest for the elemental in himself, a sort of spiritual geology'.These concerns remain central, with locations ranging as far afield as the American Rockies and the Aegean Sea and a blend of first-hand and virtual experience. One section focuses on visits to Italy, and the titular poem of the collection reflects this - prompted as it was by a visit to the Keats-Shelley House in Rome, where Keats lamented the 'posthumous existence' he felt himself confined to in a letter sent in November 1820 to Charles Armitage Brown. By contrast, the sequence 'The Supreme Experiment' depicts the imagined world of an early Christian anchorite in the Sinai Desert and is (perhaps) an exercise in 'negative capability'.There's also a continued engagement with music and film - most notably the New German Cinema of the 1970s, which remains central to Jope's cultural land-scape along with the experimental music of that time and place. The political concerns of those traditions seem relevant, moreover, to the turbulent landscape of the UK in the late 2010s - some are directly responsive to the Brexit referendum and its tortuous aftermath, as befitting the author's own sense of threatened European identity during that period.Perhaps it's not just the author who might lead a 'posthumous existence' but also the poem, which is inevitably the product of a time and a place that has passed. The question of what might remain current is unanswerable, all the more so at the time of composition, but there is always the hope of a hospitable shore that these poems seek. As with much travel writing, there is a goal beyond the journey. These texts are an attempt to read nature for signs and they also represent a quest for the elemental in himself, a sort of spiritual geology'. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781837380190
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Unlike Jope's previous two Shearsman collections, this one mixes prose-poetry with (free) verse. Writing in Ambit about Jope's Dreams of the Caucasus, Donald Gardner wrote that his reach 'is romantic and wide, not only geographically - from the Sahara to the Hungarian puszta and on to the Arctic Circle. As with much travel writing, there is a goal beyond the journey. These texts are an attempt to read nature for signs and they also represent a quest for the elemental in himself, a sort of spiritual geology'.These concerns remain central, with locations ranging as far afield as the American Rockies and the Aegean Sea and a blend of first-hand and virtual experience. One section focuses on visits to Italy, and the titular poem of the collection reflects this - prompted as it was by a visit to the Keats-Shelley House in Rome, where Keats lamented the 'posthumous existence' he felt himself confined to in a letter sent in November 1820 to Charles Armitage Brown. By contrast, the sequence 'The Supreme Experiment' depicts the imagined world of an early Christian anchorite in the Sinai Desert and is (perhaps) an exercise in 'negative capability'.There's also a continued engagement with music and film - most notably the New German Cinema of the 1970s, which remains central to Jope's cultural land-scape along with the experimental music of that time and place. The political concerns of those traditions seem relevant, moreover, to the turbulent landscape of the UK in the late 2010s - some are directly responsive to the Brexit referendum and its tortuous aftermath, as befitting the author's own sense of threatened European identity during that period.Perhaps it's not just the author who might lead a 'posthumous existence' but also the poem, which is inevitably the product of a time and a place that has passed. The question of what might remain current is unanswerable, all the more so at the time of composition, but there is always the hope of a hospitable shore that these poems seek. N° de réf. du vendeur 9781837380190
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Paperback. Etat : new. Paperback. Unlike Jope's previous two Shearsman collections, this one mixes prose-poetry with (free) verse. Writing in Ambit about Jope's Dreams of the Caucasus, Donald Gardner wrote that his reach 'is romantic and wide, not only geographically - from the Sahara to the Hungarian puszta and on to the Arctic Circle. As with much travel writing, there is a goal beyond the journey. These texts are an attempt to read nature for signs and they also represent a quest for the elemental in himself, a sort of spiritual geology'.These concerns remain central, with locations ranging as far afield as the American Rockies and the Aegean Sea and a blend of first-hand and virtual experience. One section focuses on visits to Italy, and the titular poem of the collection reflects this - prompted as it was by a visit to the Keats-Shelley House in Rome, where Keats lamented the 'posthumous existence' he felt himself confined to in a letter sent in November 1820 to Charles Armitage Brown. By contrast, the sequence 'The Supreme Experiment' depicts the imagined world of an early Christian anchorite in the Sinai Desert and is (perhaps) an exercise in 'negative capability'.There's also a continued engagement with music and film - most notably the New German Cinema of the 1970s, which remains central to Jope's cultural land-scape along with the experimental music of that time and place. The political concerns of those traditions seem relevant, moreover, to the turbulent landscape of the UK in the late 2010s - some are directly responsive to the Brexit referendum and its tortuous aftermath, as befitting the author's own sense of threatened European identity during that period.Perhaps it's not just the author who might lead a 'posthumous existence' but also the poem, which is inevitably the product of a time and a place that has passed. The question of what might remain current is unanswerable, all the more so at the time of composition, but there is always the hope of a hospitable shore that these poems seek. As with much travel writing, there is a goal beyond the journey. These texts are an attempt to read nature for signs and they also represent a quest for the elemental in himself, a sort of spiritual geology'. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781837380190
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Taschenbuch. Etat : Neu. A Posthumous Existence | Norman Jope | Taschenbuch | Englisch | 2026 | Shearsman Books | EAN 9781837380190 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. N° de réf. du vendeur 135875122
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