Synopsis
Kim is having one of those days. A terrible, very bad, no-good kind of day, and the worst part is...it all feels so familiar. Caught up in a never-ending cycle of events, she looks for the exit but the harder she tries, the worse it gets and she begins to wonder: who's writing this story? She makes a break for it, smashing through a hundred years of bloody narratives that all end the same way. Can she find a way out before it's too late?
With breathless hilarity, Kimber Lee’s untitled f*ck m*ss s**gon play jumps through time – wriggling inside of and then exploding lifetimes of repeating Asian stereotypes, wrestling history for the right to control your own narrative in a world that thinks it can tell you who you are.
Winner of the inaugural Bruntwood Prize for Playwrighting 2019, International Award, this powerful world premiere is directed by Roy Alexander Weise (The Mountaintop) for the Royal Exchange Theatre as part of Manchester International Festival.
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À propos de l'auteur
Kimber Lee is a New York-based playwright whose plays include untitled f*ck m*ss s**gon play (Manchester International Festival & Young Vic Theatre, London, 2023), the water palace (2021 Susan Smith Blackburn Finalist and Special Commendation Award), tokyo fish story (South Coast Rep, TheatreWorks/SV, Old Globe), brownsville song (b-side for tray) (Humana Festival, LCT3, Long Wharf Theatre, Philadelphia Theatre Company, Seattle Rep, Moxie Theatre, Shotgun Players), and different words for the same thing (Center Theatre Group).
She was the inaugural winner of the Bruntwood Prize International Award for untitled f*ck m*ss s**gon play.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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untitled f*ck m*ss s**g*n play (NHB Modern Plays)
Edité par
Nick Hern Books, 2023
ISBN 10 : 1839042419
ISBN 13 : 9781839042416
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untitled f*ck m*ss s**g*n play (NHB Modern Plays)
Edité par
Nick Hern Books, 2023
ISBN 10 : 1839042419
ISBN 13 : 9781839042416
Ancien ou d'occasion
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Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR013440188
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untitled f*ck m*ss s**gon play
Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : New. 'We could stop here. We could stay here. It's not so bad, is it?'Kim is having one of those days. A terrible, very bad, no-good kind of day, and the worst part is. it all feels so familiar. Caught up in a never-ending cycle of events, she looks for the exit but the harder she tries, the worse it gets and she begins to wonder: who's writing this story?She makes a break for it, smashing through a hundred years of bloody narratives that all end the same way. Can she find a way out before it's too late?With breathless hilarity, Kimber Lee's untitled f*ck m*ss s**gon play jumps through time, wriggling inside of and then exploding lifetimes of repeating Asian stereotypes, wrestling with history for the right to control your own narrative in a world that thinks it can tell you who you are.Winner of the International Award for the Bruntwood Prize for Playwriting in 2019, the play was co-produced in 2023 by the Royal Exchange, Factory International for Manchester International Festival, the Young Vic Theatre and Headlong, and directed by Roy Alexander Weise. It was first performed at the Royal Exchange Theatre, Manchester, as part of Manchester International Festival, before transferring to the Young Vic Theatre, London. N° de réf. du vendeur LU-9781839042416
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untitled f*ck m*ss s**gon play (Paperback)
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Paperback. Etat : new. Paperback. 'We could stop here. We could stay here. It's not so bad, is it?'Kim is having one of those days. A terrible, very bad, no-good kind of day, and the worst part is it all feels so familiar. Caught up in a never-ending cycle of events, she looks for the exit but the harder she tries, the worse it gets and she begins to wonder: who's writing this story?She makes a break for it, smashing through a hundred years of bloody narratives that all end the same way. Can she find a way out before it's too late?With breathless hilarity, Kimber Lee's untitled f*ck m*ss s**gon play jumps through time, wriggling inside of and then exploding lifetimes of repeating Asian stereotypes, wrestling with history for the right to control your own narrative in a world that thinks it can tell you who you are.Winner of the International Award for the Bruntwood Prize for Playwriting in 2019, the play was co-produced in 2023 by the Royal Exchange, Factory International for Manchester International Festival, the Young Vic Theatre and Headlong, and directed by Roy Alexander Weise. It was first performed at the Royal Exchange Theatre, Manchester, as part of Manchester International Festival, before transferring to the Young Vic Theatre, London.'Ferociously funny. dissects years of racist, imperialist and misogynistic tropes. Imagine if Caryl Churchill had written Noises Off. punky, polemical and stingingly fresh' Guardian'Provocative and very funny. a terrifically spiky send-up of Asian stereotypes' Telegraph'Non-stop funny. both hilarious and strangely moving' Reviews Hub'Urgent and clever. furious and funny. very clever writing' The Stage'Sharp, intelligent and confrontational. Switching seamlessly between laugh-out-loud humour and poignant, harrowing tragedy. despite its confrontational name, it's a remarkably accessible play' Manchester Evening News'An overdue corrective. accurate and needed. This show begins to alter what we see on stage' Observer'This punchy, acerbic and acutely observed piece of theatre kicks ass as it highlights the dangers of cultural appropriation and takes an unflinching look at intergenerational trauma. a wickedly funny satire. groundbreaking work that both entertains and informs. f**king great!' WhatsOnStageInternational Award, Bruntwood Prize for Playwriting A powerful, hilarious play exploding lifetimes of repeating Asian stereotypes, winner of the International Award for the Bruntwood Prize for Playwriting in 2019. Published alongside its staging at the Manchester International Festival 2023. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781839042416
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untitled f*ck m*ss s**gon play
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Paperback. Etat : New. 'We could stop here. We could stay here. It's not so bad, is it?'Kim is having one of those days. A terrible, very bad, no-good kind of day, and the worst part is. it all feels so familiar. Caught up in a never-ending cycle of events, she looks for the exit but the harder she tries, the worse it gets and she begins to wonder: who's writing this story?She makes a break for it, smashing through a hundred years of bloody narratives that all end the same way. Can she find a way out before it's too late?With breathless hilarity, Kimber Lee's untitled f*ck m*ss s**gon play jumps through time, wriggling inside of and then exploding lifetimes of repeating Asian stereotypes, wrestling with history for the right to control your own narrative in a world that thinks it can tell you who you are.Winner of the International Award for the Bruntwood Prize for Playwriting in 2019, the play was co-produced in 2023 by the Royal Exchange, Factory International for Manchester International Festival, the Young Vic Theatre and Headlong, and directed by Roy Alexander Weise. It was first performed at the Royal Exchange Theatre, Manchester, as part of Manchester International Festival, before transferring to the Young Vic Theatre, London. N° de réf. du vendeur LU-9781839042416
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untitled f*ck m*ss s**gon play
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untitled f*ck m*ss s**g*n play (NHB Modern Plays)
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UNTITLED F*CK M*SS S**GON PLAY
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untitled f*ck m*ss s**g*n play (NHB Modern Plays)
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