On the Figure in General and the Body in Particular: Figurative Invention in Cinema - Couverture souple
Synopsis
Films fill our imagination with figures, figurines, and talismans. They ceaselessly rework the same archetypes and invent troubling prototypes – especially when they establish a deeper relationship to reality. How do we understand these presences that are both so characteristic and so diverse in cinema? How does film deal with bodies, movements, and gestures? Why are we so drawn to these shadows, silhouettes, and hypothetical beings? What organizes the figurative values at work in a film? How do cinematic creatures circulate from film to film and image to image? How does film articulate the links between the abstract and figurative? Is it possible to write a history of figurative forms? Starting from films themselves and works that are both classical (Sergei Eisenstein, Roberto Rossellini, Orson Welles) and contemporary (Abel Ferrara, Brian DePalma, Patricia Mazuy), celebrated (Robert Bresson, John Cassavetes, Ken Jacobs, Paul Sharits) and overlooked (Al Razutis, Jean Genet, Monte Hellman, and John Travolta), from auteurs as well as aesthetic questions (representations of dance, the naked body, character development…), the essays in this volume, most available for the first in English, aim to open a field that has been neglected by analysis, while also suggesting the tools necessary to understanding figurative phenomena specific to cinema.
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À propos de l'auteur
Nicole Brenez is a professor of film studies at the University of Paris 3/Sorbonne Nouvelle and the Director of the Department “Analyse et Culture cinématographique” at Paris’ film school La Fémis since 2017. She has curated avant-garde film series at the Cinémathèquefrançaise since 1996 and is the author and editor of numerous books on film.
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On the Figure in General and the Body in Particular : Figurative Invention in Cinema
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On The Figure In General And The Body In Particular:: Figurative Invention In Cinema
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Paperback. Etat : New. In this selection of essays written for a variety of publications and platforms throughout the 1990s (essays, program notes, conferences), Nicole Brenez sets out and applies the tenets of what she dubs the "figurative analysis" of cinema. As the title suggests, her two main interests could broadly be summarized as the "figure" (in general) and the "body" (in particular). An actor performing on screen is, of course, a body, but Brenez goes beyond psychological or purely dramatic considerations, studying how formal elements such as framing, lighting, and editing determine what a body is and an audience's perception of it as well as how cinematic devices can be used to create new bodies - as in the science fiction films of the 1990s that posit hybrid, post-human forms. At the same time, a body can also be a collective of individuals or even themes and motifs brought together via cinematic means. The term "figure" also has a broad and rich meaning in Brenez's work, informing concepts such as "figural analysis," "figural economy," "figurative invention," or pure "figuration." While glimpses of these concepts have appeared in scattered translations over the years, this collection represents the first comprehensive and expansive selection of her writings on cinema in English.Brenez is interested in the myriad of shapes that figures take in film: shadows, silhouettes, and contours, but also themes and motifs, and how these are visually and aurally manifested. She is especially interested in the ways in which an individual film produces these figures or figurative constellations. Laying out a methodology in the book's introduction (a letter to John Ford biographer Tag Gallagher), Brenez goes on to analyze and interpret the myriad of figures found in movies by filmmakers ranging from John Woo to Paul Sharits as well as classics by Orson Welles and Sergei Eisenstein. At once rigorous and open, the originality of the films Brenez studies and her very stimulating intuitions and connections, has produced one of the major studies of cinema of the late 20th century. N° de réf. du vendeur LU-9781839998867
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Paperback. Etat : new. Paperback. These wide-ranging essays covering an array of film genres and styles propose a method of cinematic analysis and interpretation that foregrounds film's formal and plastic qualities.Films fill our imagination with figures, figurines, and talismans. They ceaselessly rework the same archetypes and invent troubling prototypes especially when they establish a deeper relationship to reality. How do we understand these presences that are both so characteristic and so diverse in cinema? How does film deal with bodies, movements, and gestures? Why are we so drawn to these shadows, silhouettes, and hypothetical beings? What organises the figurative values at work in a film? How do cinematic creatures circulate from film to film and image to image? How does film articulate the links between the abstract and figurative? Is it possible to write a history of figurative forms? Starting from films themselves and works that are both classical (Sergei Eisenstein, Roberto Rossellini, Orson Welles) and contemporary (Abel Ferrara, Brian DePalma, Patricia Mazuy), celebrated (Robert Bresson, John Cassavetes, Ken Jacobs, Paul Sharits) and overlooked (Al Razutis, Jean Genet, Monte Hellman, and John Travolta), from auteurs as well as aesthetic questions (representations of dance, the naked body, character development.), the essays in this volume, most available for the first in English, aim to open a field that has been neglected by analysis, while also suggesting the tools necessary to understanding figurative phenomena specific to cinema. A collection of wide-ranging essays written throughout the 1990s, On the Body in General and the Figure in Particular covers an array of genres and styles to propose an original method of cinematic analysis and interpretation foregrounding film's formal and plastic qualities in all their multifaceted materiality and aesthetics. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781839998867
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On the Figure in General and the Body in Particular : Figurative Invention in Cinema
Edité par
Anthem Press, 2026
ISBN 10 : 1839998865
ISBN 13 : 9781839998867
Ancien ou d'occasion
Couverture souple
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 52107620
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