Synopsis
Aphra Behn (1640–1689), prolific and popular playwright, poet, novelist, translator, has a fascinating and extensive corpus of literature that plays a key role in literary history. Quantitative Literary Analysis of the Works of Aphra Behn: Words of Passion offers what no book has done to date, an analysis of all Behn’s literary output. It examines the author’s use of words in terms of frequencies and distributions and stacks the words in context to read Behn’s word usage synchronically. Using this experimental method, the book brings digital humanities into literary criticism, to enhance our understanding and appreciation of literature beyond what is possible in diachronic reading and scholarship less supported by digital means. The empirical approach works in collaboration with existing scholarship to understand Behn’s distinct language of love and extreme passions across her genres.
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À propos de l'auteur
Laura L. Runge is a professor of English at the University of South Florida. She specializes in women’s writing of the long eighteenth century, digital humanities, and book history.
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Quantitative Literary Analysis of the Works of Aphra Behn
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Quantitative Literary Analysis of the Works of Aphra Behn
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Paperback. Etat : New. Aphra Behn (1640-1689), a prolific and popular playwright, poet, novelist, and translator, has an extensive corpus of literature that plays a key role in literary history as the work of a female author. Based upon word counts, Quantitative Literary Analysis of the Works of Aphra Behn chronicles Behn's obsession with the mystery and power of love and early modern passions through her entire oeuvre. Love, for Behn, is an external power, sometimes figured as the boy god Cupid or an abstraction, that enters the body with pain and pleasure and leaves the victim searching for understanding. The book follows two threads of argument: one using quantitative measures to indicate passages for significant close reading of preferred language and the other focused upon her use of small words like thou, sir, or said. Situating her writings in the conflicts of Early Modern discourses on the passions, the book demonstrates that Behn's language reveals generic patterns for representing love that include a warning about its potential to destroy the body and condemn the soul. Taken as a whole, Behn's literary production is an extraordinary examination of the early modern concept of love at a moment of change in the language and meaning of the passions.Each chapter focuses on one type of writing: poetry, drama, and prose. Her poetry conjures love as an extremely powerful, disabling force, conveyed through the eyes, ears and hands, and acting on the heart and soul. The recipient of love's force is essentially passive except for the need to reflect and decide if the love is worthy or to regret the passion after abandonment. Language from the pastoral mode structures her love poetry; the shady greenery and responsive nature provide a context of ideal love in a golden age with the everlasting fulfilment of mutual desires or a suitably moody place to die. The physical progression of love remains the same in her drama: an external force entering the body with pain and sweet desire stimulating the power of reason to preserve honor and determine the quality of desire. The trail of betrayed lovers and broken vows in her comedies testifies to the prevailing force of love. In the dramatic context, love is unsurprisingly comic and active. Operating in the same way on the body, Behn's stage version of love is overblown, farcical and stagey. In her prose, the genre of writing most noted for her amatory style, Behn once again adopts the configuration of love as a powerful and mysterious external force operating on passive victims who respond in conversations with their hearts. Opposite to the succinct style of Behn's love poetry, love in her prose is characterized by amplitude and repetition. It shares with poetry, however, love's contradictory nature, and her love aphorisms have the balanced antithesis of her verse.Each chapter also features a unique comparative study that illustrates Behn in a specific context. The poetry chapter compares Behn's Poems Upon Several Occasions to a. N° de réf. du vendeur LU-9781839999758
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Quantitative Literary Analysis of the Works of Aphra Behn (Paperback)
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Paperback. Etat : new. Paperback. This book explores the works of Aphra Behn (16401689) synchronically through word counts and statistical measures.It analyses, by genre, poetry, drama, and prose, examining the quantification of Behn's literary style. The conclusion applies thematic questions to the full corpus for an innovative and comprehensive assessment of Behn's writing.Aphra Behn (16401689), prolific and popular playwright, poet, novelist, and translator, has a fascinating and extensive corpus of literature that plays a key role in literary history. This book offers an analysis of all of Behn's literary output. It examines the author's use of words in terms of frequencies and distributions and stacks the oeuvre in order to read Behn's word usage synchronically. Organised into three main chapters addressing her chief genres of writing (poetry, plays, and prose) this exploratory project analyses the texts through statistical queries and identifies Behn's unique style across genres and among her peers. It identifies Behn's keywords as compared to literary works of the period to provide an index of characteristic themes and qualities, such as 'oh', 'young', 'lover', 'love', 'marry', 'charming', 'heart', 'gay', 'soft'. Each of these words opens a window on her corpus as a whole. A unique case study of a significant author using new literary methodologies, this book provides an appealing snapshot of Behn's whole career informed by deep knowledge of the Restoration era and developments in digital humanities and cultural analytics. This book explores the works of Aphra Behn (16401689) synchronically through word counts and statistical measures. It analyzes, by genre, poetry, drama, and prose, examining the quantification of Behn's literary style. The conclusion applies thematic questions to the full corpus for an innovative and comprehensive assessment of Behn's writing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781839999758
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Quantitative Literary Analysis of the Works of Aphra Behn
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Paperback. Etat : New. Aphra Behn (1640-1689), a prolific and popular playwright, poet, novelist, and translator, has an extensive corpus of literature that plays a key role in literary history as the work of a female author. Based upon word counts, Quantitative Literary Analysis of the Works of Aphra Behn chronicles Behn's obsession with the mystery and power of love and early modern passions through her entire oeuvre. Love, for Behn, is an external power, sometimes figured as the boy god Cupid or an abstraction, that enters the body with pain and pleasure and leaves the victim searching for understanding. The book follows two threads of argument: one using quantitative measures to indicate passages for significant close reading of preferred language and the other focused upon her use of small words like thou, sir, or said. Situating her writings in the conflicts of Early Modern discourses on the passions, the book demonstrates that Behn's language reveals generic patterns for representing love that include a warning about its potential to destroy the body and condemn the soul. Taken as a whole, Behn's literary production is an extraordinary examination of the early modern concept of love at a moment of change in the language and meaning of the passions.Each chapter focuses on one type of writing: poetry, drama, and prose. Her poetry conjures love as an extremely powerful, disabling force, conveyed through the eyes, ears and hands, and acting on the heart and soul. The recipient of love's force is essentially passive except for the need to reflect and decide if the love is worthy or to regret the passion after abandonment. Language from the pastoral mode structures her love poetry; the shady greenery and responsive nature provide a context of ideal love in a golden age with the everlasting fulfilment of mutual desires or a suitably moody place to die. The physical progression of love remains the same in her drama: an external force entering the body with pain and sweet desire stimulating the power of reason to preserve honor and determine the quality of desire. The trail of betrayed lovers and broken vows in her comedies testifies to the prevailing force of love. In the dramatic context, love is unsurprisingly comic and active. Operating in the same way on the body, Behn's stage version of love is overblown, farcical and stagey. In her prose, the genre of writing most noted for her amatory style, Behn once again adopts the configuration of love as a powerful and mysterious external force operating on passive victims who respond in conversations with their hearts. Opposite to the succinct style of Behn's love poetry, love in her prose is characterized by amplitude and repetition. It shares with poetry, however, love's contradictory nature, and her love aphorisms have the balanced antithesis of her verse.Each chapter also features a unique comparative study that illustrates Behn in a specific context. The poetry chapter compares Behn's Poems Upon Several Occasions to a. N° de réf. du vendeur LU-9781839999758
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