Synopsis
As the art world eagerly embraces a journalistic approach, Aesthetic Journalism explores why contemporary art exhibitions often consist of interviews, documentaries and reportage. This new mode of journalism is grasping more and more space in modern culture and Cramerotti probes the current merge of art with the sphere of investigative journalism. The attempt to map this field, here defined as ‘Aesthetic Journalism’, challenges, with clear language, the definitions of both art and journalism, and addresses a new mode of information from the point of view of the reader and viewer. The book explores how the production of truth has shifted from the domain of the news media to that of art and aestheticism. With examples and theories from within the contemporary art and journalistic-scape, the book questions the very foundations of journalism. Aesthethic Journalism suggests future developments of this new relationship between art and documentary journalism, offering itself as a useful tool to audiences, scholars, producers and critics alike.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l?auteur
Alfredo Cramerotti is a writer, curator and editor working across TV, radio, publishing, writing and exhibition making. He co-curated Manifesta 8, the European Biennial of Contemporary Art, 2010, the Maldives Pavilion and the Wales Pavilion at the 55th Venice Art Biennial, 2013, and the 4th Trienala Ladina in South Tyrol in 2013. He directs MOSTYN, Wales’ leading contemporary art institution, and the itinerant projects AGM Culture and Chamber of Public Secrets (CPS). He is Research Scholar at the European Centre for Photography Research, University of Wales, Newport, and Editor of the Critical Photography series by Intellect Books. His own publications include the book Aesthetic Journalism: How to Inform without Informing (2009) and Unmapping the City: Perspectives of Flatness (2010).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Aesthetic Journalism: How to Inform Without Informing
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Intellect Ltd, 2009
ISBN 10 : 1841502685
ISBN 13 : 9781841502687
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Aesthetic Journalism: How to Inform without Informing
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ISBN 13 : 9781841502687
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Paperback. Etat : New. As the art world eagerly embraces a journalistic approach, Aesthetic Journalism explores why contemporary art exhibitions often consist of interviews, documentaries and reportage. This new mode of journalism is grasping more and more space in modern culture and Cramerotti probes the current merge of art with the sphere of investigative journalism. The attempt to map this field, here defined as 'Aesthetic Journalism', challenges, with clear language, the definitions of both art and journalism, and addresses a new mode of information from the point of view of the reader and viewer. The book explores how the production of truth has shifted from the domain of the news media to that of art and aestheticism. With examples and theories from within the contemporary art and journalistic-scape, the book questions the very foundations of journalism. Aesthethic Journalism suggests future developments of this new relationship between art and documentary journalism, offering itself as a useful tool to audiences, scholars, producers and critics alike. N° de réf. du vendeur LU-9781841502687
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Aesthetic Journalism: How to Inform Without Informing
Edité par
Intellect Ltd, 2009
ISBN 10 : 1841502685
ISBN 13 : 9781841502687
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Alfredo Cramerotti : Aesthetic Journalism - How to Inform Without Informing.
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Aesthetic Journalism : How to Inform Without Informing
Edité par
Intellect Ltd, 2009
ISBN 10 : 1841502685
ISBN 13 : 9781841502687
Ancien ou d'occasion
Couverture souple
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Paperback. Etat : new. Paperback. Addressing a growing area of focus in contemporary art, Aesthetic Journalism investigates why contemporary art exhibitions often consist of interviews, documentaries, and reportage. Art theorist and critic Alfredo Cramerotti traces the shift in the production of truth from the domain of the news media to that of art and aestheticisma change that questions the very foundations of journalism and the nature of art. This volume challenges the way we understand art and journalism in contemporary culture and suggests future developments of this new relationship. Addressing aesthetic journalism, this title investigates why contemporary art exhibitions often consist of interviews, documentaries, and reportage. It traces the shift in the production of truth from the domain of the news media to that of art and aestheticism - a change that questions the very foundations of journalism and the nature of art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781841502687
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