Covering the silent era to the present, this wide-ranging collection of essays examines Greek cinema as an aesthetic, cultural, and political phenomenon with the potential to appeal to a diverse range of audiences. Using a range of methodological tools, the authors investigate the ever-shifting forms and meanings at work within Greece’s national cinema and locate it within the booming interdisciplinary study of European cinema at large. Designed for undergraduate courses in film studies, this well-researched volume fills a substantial gap in the market for critical works on Greek cinema in English.
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Yannis Tzioumakis is reader in film and media industries at the University of Liverpool (United Kingdom). He is the author of five books, most recently Acting Indie: Industry, Aesthetics, Performance (co-authored with Cynthia Baron; Palgrave, 2020), and co-editor of six collections of essays, most recently United Artists (Routledge, 2020). He is currently co-editing the collection Indie TV: Industry, Aesthetics and Medium Specificity for Routledge, while authoring a book on Hollywood films in Greece in the 1950s and 1960s. He has also published articles in several journals, including Screen; Film History; Velvet Light Trap; New Review of Film and Television Studies; International Journal of Media and Cultural Politics; and Studies in Documentary Film. Yannis also co-edits two book series: the ‘Routledge Hollywood Centenary’ and ‘Cinema and Youth Cultures’ (both for Routledge).
Contact: Department of Communication and Media, School of the Arts, University of Liverpool, 19 Abercromby Square, Liverpool, L69 7ZQ, UK.
Lydia Papadimitriou is reader (associate professor) in film studies at Liverpool John Moores University. Her research has focused on Greek and Balkan cinema, with an emphasis on screen and media industries. Her publications include The Greek Film Musical (McFarland, 2006), Greek Cinema: Texts, Forms and Identities (Intellect, 2011) and Contemporary Balkan Cinema: Transnational Exchanges and Global Circuits (Edinburgh University Press, 2020). She has also published chapters on Greek stars Aliki Vougiouklaki and Rena Vlahopoulou (2009) and Irini Papas (2023). Between 2015 and 2022, she was the principal editor of the Journal of Greek Media and Culture.
Contact: Liverpool School of Art and Creative Industries, Liverpool John Moores University, Redmonds Building, Brownlow Hill, Liverpool L3 5UG, UK.
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Paperback. Etat : New. Covering the silent era to the present, this wide-ranging collection of essays examines Greek cinema as an aesthetic, cultural, and political phenomenon with the potential to appeal to a diverse range of audiences. Using a range of methodological tools, the authors investigate the ever-shifting forms and meanings at work within Greece's national cinema and locate it within the booming interdisciplinary study of European cinema at large. Designed for undergraduate courses in film studies, this well-researched volume fills a substantial gap in the market for critical works on Greek cinema in English. N° de réf. du vendeur LU-9781841504339
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