A unique contribution to an emerging field, Composed Theatre explores musical strategies of organization as viable alternative means of organizing theatrical work. In addition to insightful essays by a stellar group of international contributors, this volume also includes interviews with important practitioners, shedding light on historical and theoretical aspects of composed theatre.
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David Roesner is professor of theatre and music theatre at the LMU Munich. He previously worked at the universities of Hildesheim, Exeter and Kent. Recent publications include Theatre Noise: The Sound of Performance (with Lynne Kendrick, CSP, 2011), Composed Theatre: Aesthetics, Practices, Processes (with Matthias Rebstock, Intellect, 2012) and his latest monograph Musicality in Theatre: Music as Model, Method and Metaphor in Theatre-Making (Ashgate 2014). For a full list of publications and projects, see http://mhn.academia.edu/DavidRoesner.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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