Bringing together contributors from dance, theatre, visual studies and art history, Perform, Repeat, Record addresses the conundrum of how live art is positioned within history. Set apart from other art forms in that it may never be performed in precisely the same way twice, ephemeral artwork exists both at the time of its staging and long after in the memories of its spectators and their testimonies, as well as in material objects, visual media and text. These multiple occurrences and iterations offer new critical possibilities for thinking and writing the histories of performance. Among the artists, theorists and historians who contributed to this volume are Marina Abramovic, Guillermo Gómez-Peña, Rebecca Schneider, Boris Groys, Jane Blocker, Carolee Schneemann, Tehching Hsieh, Orlan, Tilda Swinton and Jean-Luc Nancy.
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Amelia Jones is the Robert A. Day Professor at the Roski School of Art and Design at the University of Southern California. A curator and a theorist and historian of art and performance, her recent publications include Seeing Differently: A History and Theory of Identification and the Visual Arts (2012), Perform Repeat Record: Live Art in History (2012, co-edited with Adrian Heathfield), the anthology Sexuality (2014), and Otherwise: Imagining Queer Feminist Art Histories (2016, co-edited with Erin Silver). Her exhibition, Material Traces: Time and the Gesture in Contemporary Art, took place in 2013 in Montreal. She edited ‘On Trans/Performance’, a special issue of Performance Research (2016).
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