Since Marcel Duchamp created his 'readymades' a century ago – most famously christening a urinal as a fountain – the practice of incorporating commodity objects into art has become ever more pervasive. Uncommon Goods traces one particularly important aspect of that progression: the shift in artistic concern toward the hidden ethical dimensions of global commerce. Jaimey Hamilton Faris discusses the work of, among many others, Ai Weiwei, Cory Arcangel, Thomas Hirschhorn and Santiago Sierra, reading their artistic explorations as overlapping with debates about how common goods hold us and our world in common. The use of readymade now registers concerns about international migrant labor, outsourced manufacturing, access to natural resources, intellectual copyright, and the commoditization of virtual space. In each chapter, Hamilton Faris introduces artists who exemplify the focus of readymade aesthetics on aspects of global commodity culture, including consumption, marketing, bureaucracy, labour and community. She explores how materially intensive, 'uncommon' aesthetic situations can offer moments to meditate on the kinds of objects, experiences and values we ostensibly share in the age of globalization. The resulting volume will be an important contribution to scholarship on ready-made art as well as to the study of materiality, embodiment and globalization.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jaimey Hamilton Faris is assistant professor of art history at the University of Hawaii.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Since Marcel Duchamp created his readymades a century agomost famously christening a urinal as a fountain the practice of incorporating commodity objects into art has become ever more pervasive. Uncommon Goods traces one particularly important aspect of that progression: the shift in artistic concern toward the hidden ethical dimensions of global commerce. Jaimey Hamilton Faris discusses the work of, among many others, Ai Weiwei, Cory Arcangel, Thomas Hirschhorn, and Santiago Sierra, reading their artistic explorations as overlapping with debates about how common goods hold us and our world in common. The use of readymade now registers concerns about international migrant labor, outsourced manufacturing, access to natural resources, intellectual copyright, and the commoditization of virtual space.In each chapter, Hamilton Faris introduces artists who exemplify the focus of readymade aesthetics on aspects of global commodity culture, including consumption, marketing, bureaucracy, labor, and community. She explores how materially intensive, uncommon aesthetic situations can offer moments to meditate on the kinds of objects, experiences, and values we ostensibly share in the age of globalization. The resulting volume will be an important contribution to scholarship on readymade art as well as to the study of materiality, embodiment, and globalization. Traces the shift from the installation art of the 1990s to the material turn of current practice. This book makes an important contribution to the scholarship on readymade art, as well as to the study of materiality, embodiment, and globalization. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781841505725
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Paperback. Etat : New. Since Marcel Duchamp created his 'readymades' a century ago - most famously christening a urinal as a fountain - the practice of incorporating commodity objects into art has become ever more pervasive. Uncommon Goods traces one particularly important aspect of that progression: the shift in artistic concern toward the hidden ethical dimensions of global commerce. Jaimey Hamilton Faris discusses the work of, among many others, Ai Weiwei, Cory Arcangel, Thomas Hirschhorn and Santiago Sierra, reading their artistic explorations as overlapping with debates about how common goods hold us and our world in common. The use of readymade now registers concerns about international migrant labor, outsourced manufacturing, access to natural resources, intellectual copyright, and the commoditization of virtual space. In each chapter, Hamilton Faris introduces artists who exemplify the focus of readymade aesthetics on aspects of global commodity culture, including consumption, marketing, bureaucracy, labour and community. She explores how materially intensive, 'uncommon' aesthetic situations can offer moments to meditate on the kinds of objects, experiences and values we ostensibly share in the age of globalization. The resulting volume will be an important contribution to scholarship on ready-made art as well as to the study of materiality, embodiment and globalization. N° de réf. du vendeur LU-9781841505725
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