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The Unseen Poems - Couverture rigide

Livre 28 sur 29: Everyman's Library Pocket Poets

Rumi

 
9781841598161: The Unseen Poems

Synopsis

Rumi: Unseen Poems – the second volume of Rumi in the Everyman Pocket Poet series – is a treasury of poems which have never been translated before, researched and translated by Rumi biographer Brad Gooch and the Iranian writer Maryam Mortaz.
The thirteenth-century Persian poet Rumi was trained in Sufism, a mystic tradition within Islam. He founded the Mevlevi Order, often known as the Whirling Dervishes, who use dance and music as part of their spiritual devotion. His poetry combines the sacred and the sensual, expressing both rapturous divine love, and aching human love for his companion and teacher, Shams of Tabriz. It has long been popular in the West, never more so than in the last twenty-five years, when a new wave of free translations introduced him to an ever-widening audience.
However, some of these recent translations have been more in the nature of interpretations by writers who are not Persian speakers. Cultural and Islamic references central to an understanding of Rumi's poetry have been toned down or omitted. And so vast was Rumi's output that earlier scholarly translators were obliged to be selective, leaving a rich vein of verse still unmined. From this Gooch and Mortaz have made a selection of ghazals (short lyric poems) and rubaiyat (quatrains), aiming in their own translations to achieve fidelity to the originals while preserving all Rumi's lyric exuberance.
This book makes a perfect companion to the first Everyman volume of Rumi, which presents the very best of the twentieth-century translations.

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À propos de la quatrième de couverture

Rumi (1207-1273) was trained in Sufism--a mystic tradition within Islam--and founded the Sufi order known to us as the Whirling Dervishes, who use dance and music as part of their spiritual devotion. Rumi's poetry has long been popular with contemporary Western audiences because of the way it combines the sacred and the sensual, describing divine love in rapturously human terms. However, a number of Rumi's English translators over the past century were not speakers of Persian and they based their sometimes very free interpretations on earlier translations. With Western audiences in mind, translators also tended to tone down or leave out elements of Persian culture and of Islam in Rumi's work, and hundreds of the prolific poet's works were never made available to English speakers at all. In this new translation -- composed almost entirely of untranslated gems from Rumi's vast ouevre -- Brad Gooch and Maryam Mortaz aim to achieve greater fidelity to the originals while still allowing Rumi's lyric exuberance to shine.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.