Robert Ross was one of the first people that Aubrey Beardsley met when he arrived in London to make his name in 1892. Within six years the young artist was dead; but the work he produced in that short time revolutionised British art, and he was fixed forever in the public imagination as one of the leading spirits of the decadent era. Like many others, Ross was taken not only by the evident originality and genius of Beardsley’s work, but also by his character, remembering the ‘delightful and engaging smile both for friends and strangers’, his modesty, wit, erudition, and – contrary to popular opinion – his ‘briskness and virility’, or, as Beerbohm put it, his ‘stony common sense.’ Beardsley’s reputation, both artistic and personal, was caught up in the hurricane that overtook avant garde art after the trial of Oscar Wilde. Ross set out in his pioneering biography to redress the balance. He memorialised the worth of the man he knew, and established the seriousness of his art, its roots in the work of the Old Masters (of whom Beardsley had considerable knowledge). This combination of personal memoir and informed analysis by someone at the heart of the artistic world of the 1890’s makes this biography one of the most fascinating and evocative documents of the period. This republication is a close copy of the first stand-alone edition of 1909. It comes complete with all its original illustrations (and the advertisements for Beardsley’s publications) and the catalogue of Beardsley’s works by Aymer Vallance, which is still the cornerstone of Beardsley studies. It is introduced by Matthew Sturgis, Beardsley’s most distinguished recent biographer.
Robert Ross (1869-1918) was a leading figure in the circle around Oscar Wilde (whose literary executor he became) and Aubrey Beardsley, and later was involved with the war poets Sassoon and Owen. Aymer Vallance, artist and art historian, was a follower of William Morris. Matthew Sturgis's Aubrey Beardsley: A Biography, was published to great acclaim in 1999.
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Robert Ross (1869-1918) was a leading figure in the circle around Oscar Wilde (whose literary executor he became) and Aubrey Beardsley, and later was involved with the war poets Sassoon and Owen. Aymer Vallance, artist and art historian, was a follower of William Morris. Matthew Sturgis's Aubrey Beardsley: A Biography, was published to great acclaim in 1999.
Robert Ross was one of the first people that Aubrey Beardsley met when he arrived in London to make his name in 1892. Within six years the young artist was dead; but the work he produced in that short time revolutionised British art, and he was fixed forever in the public imagination as one of the leading spirits of the decadent era. Like many others, Ross was taken not only by the evident originality and genius of Beardsley’s work, but also by his character, remembering the ‘delightful and engaging smile both for friends and strangers’, his modesty, wit, erudition, and – contrary to popular opinion – his ‘briskness and virility’, or, as Beerbohm put it, his ‘stony common sense.’ Beardsley’s reputation, both artistic and personal, was caught up in the hurricane that overtook avant garde art after the trial of Oscar Wilde. Ross set out in his pioneering biography to redress the balance. He memorialised the worth of the man he knew, and established the seriousness of his art, its roots in the work of the Old Masters (of whom Beardsley had considerable knowledge). This combination of personal memoir and informed analysis by someone at the heart of the artistic world of the 1890’s makes this biography one of the most fascinating and evocative documents of the period. This republication is a close copy of the first stand-alone edition of 1909. It comes complete with all its original illustrations (and the advertisements for Beardsley’s publications) and the catalogue of Beardsley’s works by Aymer Vallance, which is still the cornerstone of Beardsley studies. It is introduced by Matthew Sturgis, Beardsley’s most distinguished recent biographer.
Robert Ross (1869-1918) was a leading figure in the circle around Oscar Wilde (whose literary executor he became) and Aubrey Beardsley, and later was involved with the war poets Sassoon and Owen. Aymer Vallance, artist and art historian, was a follower of William Morris. Matthew Sturgis's Aubrey Beardsley: A Biography, was published to great acclaim in 1999.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Beardsley, Aubrey (illustrateur). Unread book in perfect condition. N° de réf. du vendeur 14021135
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. Beardsley, Aubrey (illustrateur). N° de réf. du vendeur 14021135-n
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Beardsley, Aubrey (illustrateur). Robert Ross was one of the first people that Aubrey Beardsley met when he arrived in London to make his name in 1892. Within six years the young artist was dead; but the work he produced in that short time revolutionised British art, and he was fixed forever in the public imagination as one of the leading spirits of the decadent era. Like many others, Ross was taken not only by the evident originality and genius of Beardsley's work, but also by his character, remembering the 'delightful and engaging smile both for friends and strangers', his modesty, wit, erudition, and - contrary to popular opinion - his 'briskness and virility', or, as Beerbohm put it, his 'stony common sense.' Beardsley's reputation, both artistic and personal, was caught up in the hurricane that overtook avant garde art after the trial of Oscar Wilde. Ross set out in his pioneering biography to redress the balance. He memorialised the worth of the man he knew, and established the seriousness of his art, its roots in the work of the Old Masters (of whom Beardsley had considerable knowledge). This combination of personal memoir and informed analysis by someone at the heart of the artistic world of the 1890's makes this biography one of the most fascinating and evocative documents of the period. This republication is a close copy of the first stand-alone edition of 1909. It comes complete with all its original illustrations (and the advertisements for Beardsley's publications) and the catalogue of Beardsley's works by Aymer Vallance, which is still the cornerstone of Beardsley studies. It is introduced by Matthew Sturgis, Beardsley's most distinguished recent biographer. N° de réf. du vendeur LU-9781843680727
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Vendeur : AwesomeBooks, Wallingford, Royaume-Uni
Paperback. Etat : Very Good. Beardsley, Aubrey (illustrateur). Aubrey Beardsley This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. N° de réf. du vendeur 7719-9781843680727
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Vendeur : Bahamut Media, Reading, Royaume-Uni
Paperback. Etat : Very Good. Beardsley, Aubrey (illustrateur). This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. N° de réf. du vendeur 6545-9781843680727
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Beardsley, Aubrey (illustrateur). Paperback. Robert Ross was one of the first people that Aubrey Beardsley met when he arrived in London to make his name in 1892. Within six years the young artist was dead; but the work he produced in that short time revolutionised British art, and he was fixed forever in the public imagination as one of the leading spirits of the decadent era. Like many others, Ross was taken not only by the evident originality and genius of Beardsley's work, but also by his character, remembering the 'delightful and engaging smile both for friends and strangers', his modesty, wit, erudition, and contrary to popular opinion his 'briskness and virility', or, as Beerbohm put it, his 'stony common sense.' Beardsley's reputation, both artistic and personal, was caught up in the hurricane that overtook avant garde art after the trial of Oscar Wilde. Ross set out in his pioneering biography to redress the balance. He memorialised the worth of the man he knew, and established the seriousness of his art, its roots in the work of the Old Masters (of whom Beardsley had considerable knowledge). This combination of personal memoir and informed analysis by someone at the heart of the artistic world of the 1890's makes this biography one of the most fascinating and evocative documents of the period. This republication is a close copy of the first stand-alone edition of 1909. It comes complete with all its original illustrations (and the advertisements for Beardsley's publications) and the catalogue of Beardsley's works by Aymer Vallance, which is still the cornerstone of Beardsley studies. It is introduced by Matthew Sturgis, Beardsley's most distinguished recent biographer. AUTHORS: Robert Ross, son of the Attorney-General of Canada, was a key figure in avant garde arts and letters of the 1890s. Very unusually for this period, he acknowledged and accepted his homosexuality. It was he who first seduced Wilde, who helped him in his imprisonment and exile, and who rescued the estate to provide for Wilde's sons. His posthumous rehabilitation of Beardsley rescued the artist's reputation for future generations. Matthew Sturgis is the leading authority on the Decadent period, with acclaimed biographies of Beardsley, Wilde and Sickert. The pioneering biography of Beardsley by his original discoverer, Oscar Wilde's friend Robert Ross. Close copy of the original edition, complete with the illustrations, advertisements and catalogue raisonne by Aymer Vallance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781843680727
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. Beardsley, Aubrey (illustrateur). reprint edition. 112 pages. 7.00x5.00x0.50 inches. In Stock. N° de réf. du vendeur __1843680726
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. Beardsley, Aubrey (illustrateur). In English. N° de réf. du vendeur ria9781843680727_new
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. Beardsley, Aubrey (illustrateur). N° de réf. du vendeur 14021135-n
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : As New. Beardsley, Aubrey (illustrateur). Unread book in perfect condition. N° de réf. du vendeur 14021135
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