The Italian Solo Concerto, 1700-1760: Rhetorical Strategies and Style History - Couverture rigide

McVeigh, Simon; Hirshberg, Jehoash

Couverture rigide

ISBN 10 : 1843830922 ISBN 13 : 9781843830924

Editeur : The Boydell Press, 2004

Synopsis

The solo concerto, a vast and important repertory of the early to mid eighteenth century, is known generally only through a dozen concertos by Vivaldi and a handful of works by Albinoni and Marcello. The authors aim to bring this repertory to greater prominence and have, since 1995, been involved in a research programme of scoring and analysing over nine hundred concertos, representing nearly the entire repertory available in early prints and manuscripts. Drawing on this research, they present a detailed study and analysis of the first-movement ritornello form, the central concept that enabled composers to develop musical thinking on a large scale. Their approach is firstly to present the ritornello form as a rhetorical argument, a musical process that dynamically unfolds in time; and secondly to challenge notions of a linear stylistic development from baroque to classical, instead discovering composers trying out different options, which might themselves become norms against which new experiments could be made.

SIMON McVEIGH is Professor of Music, Goldsmiths College, University of London; JEHOASH HIRSHBERG is Professor in the Musicology Department, Hebrew University of Jerusalem.

A propos du livre

À propos de l'auteur

SIMON McVEIGH is Emeritus Professor of Music, Goldsmiths, University of London and a Past President of the Royal Musical Association.

Détails de l'édition

• Éditeur: The Boydell Press
• Date d'édition: 2004
• Langue: anglais
• ISBN 10: 1843830922
• ISBN 13: 9781843830924
• Reliure: Relié
• Nombre de pages: 380
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible