The image of the `Madonna of Humility', the Virgin and Child seated on the ground, is widespread in European art, yet it remains mysterious. This book provides a detailed and accessible investigation and explication of the theme'smultiple significances, and of other associated images (including the Virgin suckling the Child, the Woman of the Apocalypse and the Virgin Annunciate). It takes issue with the orthodox view of the origins of the image lying in the work of Simone Martini at Avignon, suggesting a longer process of development, with a key role for manuscript illumination in Metz. Subsequent chapters pursue the assimilation, appropriation, and adjustment of the image in a number of regions across Europe, challenging the simplistic idea of unequivocal iconographic meaning determined solely by the context of the image's genesis. The book argues for an essential fluidity and negotiability of meaning inthe visual arts, challenging the very idea of unitary and unequivocal iconographic readings; and its examination of the multi-layered functions of the image in different contexts and different regions provides not just an iconographical case-study, but a cultural history of a devotional resource with Europe-wide implications Dr BETH WILLIAMSON teaches in the Department of Art History, University of Bristol.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Beth Williamson is Professor of Medieval Culture at the University of Bristol. She works on the religious culture of western Europe Christianity, with a focus on the forms and functions of religious imagery, and on religious belief and behaviour.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Lacey Books Ltd, Cirencester, Royaume-Uni
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 2009 Boydell hardcover edition. Light reading wear else very good condition. From the cover: The image of the `Madonna of Humility', the Virgin and Child seated on the ground, is widespread in European art, yet it remains mysterious. This book provides a detailed and accessible investigation and explication of the theme'smultiple significances, and of other associated images (including the Virgin suckling the Child, the Woman of the Apocalypse and the Virgin Annunciate). It takes issue with the orthodox view of the origins of the image lying in the work of Simone Martini at Avignon, suggesting a longer process of development, with a key role for manuscript illumination in Metz. Subsequent chapters pursue the assimilation, appropriation, and adjustment of the image in a number of regions across Europe, challenging the simplistic idea of unequivocal iconographic meaning determined solely by the context of the image's genesis. The book argues for an essential fluidity and negotiability of meaning inthe visual arts, challenging the very idea of unitary and unequivocal iconographic readings; and its examination of the multi-layered functions of the image in different contexts and different regions provides not just an iconographical case-study, but a cultural history of a devotional resource with Europe-wide implications. N° de réf. du vendeur 7L-G8EY-5D84
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Vendeur : Riveting Books, Southsea, HAMPS, Royaume-Uni
Hardcover. Etat : Fine. Etat de la jaquette : Fine. Reprint. Dust Jacket: Yes. Unclipped. External Condition: Excellent. Clean. Internal Condition: Excellent. Clean. Author/Editor: Williamson, Beth. ISBN: 1843834197. Publisher: The Boydell Press. Year: 2010. Edition: Reprint. Binding: Hardcover. Illustrated: Yes, colour and B&W. Language: English. Page Count: 195. Keywords: religion, madonna. The book for sale is the one in the photo. N° de réf. du vendeur 11501
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Vendeur : Burwood Books, Wickham Market, Royaume-Uni
Hardcover. Etat : Fine. First Edition. Hardback. Dust Jacket. Large 8vo. Original publishers blue cloth, lettered gilt at the spine. Detailed analysis of an iconographic motif of huge significance in European art. ISBN: 1843834197 Pages: 212 Fine in fine dust jacket. No inscriptions, not price-clipped. N° de réf. du vendeur C96616
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. Print on Demand xii 195 4 of lates Illus. N° de réf. du vendeur 6574380
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Vendeur : Eve's Book Garden, Albany, CA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. A bright unopened copy. With illustrations including 9 color plates. Jacket looking nearly new, with little tear at back corner. Benefits the Friends of the Albany, Ca library. N° de réf. du vendeur 045454
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Vendeur : Books Puddle, Woodside, NY, Etats-Unis
Etat : New. Print on Demand xii 195 4 of lates. N° de réf. du vendeur 261306355
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 5676191-n
Quantité disponible : Plus de 20 disponibles
Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. PRINT ON DEMAND xii 195 4 of lates. N° de réf. du vendeur 181306361
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9781843834199. N° de réf. du vendeur 3994286
Quantité disponible : 1 disponible(s)
Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Hardback. Etat : New. Detailed analysis of an iconographic motif of huge significance in European art.The image of the `Madonna of Humility', the Virgin and Child seated on the ground, is widespread in European art, yet it remains mysterious. This book provides a detailed and accessible investigation and explication of the theme'smultiple significances, and of other associated images (including the Virgin suckling the Child, the Woman of the Apocalypse and the Virgin Annunciate). It takes issue with the orthodox view of the origins of the image lying in the work of Simone Martini at Avignon, suggesting a longer process of development, with a key role for manuscript illumination in Metz. Subsequent chapters pursue the assimilation, appropriation, and adjustment of the image in a number of regions across Europe, challenging the simplistic idea of unequivocal iconographic meaning determined solely by the context of the image's genesis. The book argues for an essential fluidity and negotiability of meaning inthe visual arts, challenging the very idea of unitary and unequivocal iconographic readings; and its examination of the multi-layered functions of the image in different contexts and different regions provides not just an iconographical case-study, but a cultural history of a devotional resource with Europe-wide implications Dr BETH WILLIAMSON teaches in the Department of Art History, University of Bristol. N° de réf. du vendeur LU-9781843834199
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