The composer's final decade sees a new outpouring of creativity. The sixth and final volume of the annotated selected letters of Benjamin Britten, edited by Philip Reed and Mervyn Cooke, covers the composer's last decade. The genesis, composition and premieres of major stage works such as Owen Wingrave, commissioned by BBC Television, and Death in Venice are fully documented, as are the church parables, The Burning Fiery Furnace and The Prodigal Son. Important concert works from this period include the powerful Brecht setting, Children's Crusade, the Third Cello Suite (for Rostropovich), Canticles IV and V (both settings of poetry by T. S. Eliot), Phaedra (for Janet Baker) and the Third String Quartet, with its haunting echoes of Death in Venice. As in previous volumes, Britten's letters to his life partner and principal interpreter, the tenor Peter Pears, remain central. Other significant correspondents include theQueen and Queen Mother; librettists William Plomer and Myfanwy Piper; artistic collaborators Frederick Ashton, Colin Graham and John Piper; musicians Janet Baker, Dietrich Fischer-Dieskau and Mstislav Rostropovich; and composers Oliver Knussen, Dmitri Shostakovich and William Walton. The volume also traces the conversion of Snape Maltings into the Aldeburgh Festival's principal concert venue, its destruction by fire on the opening night of the 1969 Festival and its miraculous rebuilding in time for the following year's Festival, as well as major concert tours by Britten and Pears to New York, Canada, South America, Moscow and Leningrad, Australia, and New Zealand. Close attention is paid to Britten's final years, when his failed heart surgery left him a near invalid. Published in association with The Britten-Pears Foundation.
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The sixth and final volume of the annotated selected letters of Benjamin Britten, edited by Philip Reed and Mervyn Cooke, covers the composer's last decade. The genesis, composition and premieres of major stage works such as Owen Wingrave, commissioned by BBC Television, and Death in Venice are fully documented, as are the church parables, The Burning Fiery Furnace and The Prodigal Son. Important concert works from this period include the powerful Brecht setting, Children's Crusade, the Third Cello Suite (for Rostropovich), Canticles IV and V (both settings of poetry by T. S. Eliot), Phaedra (for Janet Baker) and the Third String Quartet, with its haunting echoes of Death in Venice. As in previous volumes, Britten's letters to his life partner and principal interpreter, the tenor Peter Pears, remain central. Other significant correspondents include the Queen and Queen Mother; librettists William Plomer and Myfanwy Piper; artistic collaborators Frederick Ashton, Colin Graham and John Piper; musicians Janet Baker, Dietrich Fischer-Dieskau and Mstislav Rostropovich; and composers Oliver Knussen, Dmitri Shostakovich and William Walton. The volume also traces the conversion of Snape Maltings into the Aldeburgh Festival's principal concert venue, its destruction by fire on the opening night of the 1969 Festival and its miraculous rebuilding in time for the following year's Festival, as well as major concert tours by Britten and Pears to New York, Canada, South America, Moscow and Leningrad, Australia, and New Zealand. Close attention is paid to Britten's final years, when his failed heart surgery left him a near invalid. Published in association with The Britten-Pears Foundation.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Fine. N° de réf. du vendeur GOR014576643
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Vendeur : BennettBooksLtd, Los Angeles, CA, Etats-Unis
hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-9781843837251
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Vendeur : Widney Manor Books, Solihull, MIDLA, Royaume-Uni
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Vendeur : Henffordd Books, Herefordshire, Royaume-Uni
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Slight rubbing to edges of dust-jacket, now protected using removable clear wrap, otherwise in very good condition. Next day dispatch by Royal Mail in sturdy, recyclable packaging. 1000's of satisfied customers! Please contact us with any enquiries. N° de réf. du vendeur 024749
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Vendeur : David Ford Books PBFA, Cley-next-the-Sea, Royaume-Uni
Fine. Etat : Very Good. A Mixed set of Britten's Letters and diaries. Volumes 1 & 2 are softcover books. Volumes 3,4,5. and 6 are hardcover books in dustjackets. Each book covers a period in the composer's life with Volume 1 covering the years 1923-39. Pages 1-619 . Volume 2. 1939-45. pages -1340 . Volume 3 . 1946-51. 758 pages. Volume 4. 1952-57. 633 pages Volume 5. 1958-65. 764 pages. Volume 6. 1966-1976. 806 pages. Each volume is illustrated. with photographs and/or scores etc. Volumes 1-3 are published by Faber & Faber Volumes 4-6 are published by the Boydell Press all in conjunction with The Britten-Pears Foundation. A Very Good/Fine set. The Paperback Volumes 1&2 have some creasing to spines and some spotting to top closed page edge. Volume 3,4,5,& 6 are Fine copies in Fine dustjackets. Each book carries the small name label of the previous owner. Pictures available. N° de réf. du vendeur 38474
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