This heavily illustrated publication considers the importance of art and design in the lives of composer Benjamin Britten and tenor Peter Pears. Anyone who has visited the Red House in Aldeburgh will have been struck by the range and quality of art collected by Benjamin Britten and, in particular, by Peter Pears. A Musical Eye is illustrated with more than 200 worksfrom the Britten-Pears collection and considers more widely the importance of art and design in their lives and work. There is also a comprehensive checklist of over 300 paintings, prints, drawings and sculptures in the collection with details including size, medium, date and purchase price. The book is edited by former Britten-Pears Foundation Curator Judith LeGrove, who also explains how the collection evolved and provides a checklist of keyworks. Colin Matthews, who worked with Britten and is now BPF's Director of Music, provides an introduction, while the current Curator at The Red House, Caroline Harding, uses correspondence in the BPF archive to explore the patronage by Britten and Pears of a wide range of artists. Julian Potter writes on the friendship between his mother, the artist Mary Potter, and Britten. Broadening the scope of the visual arts, architectural historian AlanPowers considers the buildings commissioned or modified by Britten and Bloomsbury; Britten's work for film; Sidney Nolan's artistic responses to Britten's music; and the designs for Britten's stage works, most notably by John Piper.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Anyone who has visited the Red House in Aldeburgh will have been struck by the range and quality of art collected by Benjamin Britten and, in particular, by Peter Pears. A Musical Eye is illustrated with more than 200 works from the Britten-Pears collection and considers more widely the importance of art and design in their lives and work. There is also a comprehensive checklist of over 300 paintings, prints, drawings and sculptures in the collection with details including size, medium, date and purchase price. The book is edited by former Britten-Pears Foundation Curator Judith LeGrove, who also explains how the collection evolved and provides a checklist of key works. Colin Matthews, who worked with Britten and is now BPF's Director of Music, provides an introduction, while the current Curator at The Red House, Caroline Harding, uses correspondence in the BPF archive to explore the patronage by Britten and Pears of a wide range of artists. Julian Potter writes on the friendship between his mother, the artist Mary Potter, and Britten. Broadening the scope of the visual arts, architectural historian Alan Powers considers the buildings commissioned or modified by Britten and Bloomsbury; Britten's work for film; Sidney Nolan's artistic responses to Britten's music; and the designs for Britten's stage works, most notably by John Piper.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. This heavily illustrated publication considers the importance of art and design in the lives of composer Benjamin Britten and tenor Peter Pears.Anyone who has visited the Red House in Aldeburgh will have been struck by the range and quality of art collected by Benjamin Britten and, in particular, by Peter Pears. A Musical Eye is illustrated with more than 200 worksfrom the Britten-Pears collection and considers more widely the importance of art and design in their lives and work. There is also a comprehensive checklist of over 300 paintings, prints, drawings and sculptures in the collection with details including size, medium, date and purchase price. The book is edited by former Britten-Pears Foundation Curator Judith LeGrove, who also explains how the collection evolved and provides a checklist of keyworks. Colin Matthews, who worked with Britten and is now BPF's Director of Music, provides an introduction, while the current Curator at The Red House, Caroline Harding, uses correspondence in the BPF archive to explore the patronage by Britten and Pears of a wide range of artists. Julian Potter writes on the friendship between his mother, the artist Mary Potter, and Britten. Broadening the scope of the visual arts, architectural historian AlanPowers considers the buildings commissioned or modified by Britten and Bloomsbury; Britten's work for film; Sidney Nolan's artistic responses to Britten's music; and the designs for Britten's stage works, most notably by John Piper. N° de réf. du vendeur LU-9781843838869
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Paperback. Etat : new. Paperback. This heavily illustrated publication considers the importance of art and design in the lives of composer Benjamin Britten and tenor Peter Pears.Anyone who has visited the Red House in Aldeburgh will have been struck by the range and quality of art collected by Benjamin Britten and, in particular, by Peter Pears. A Musical Eye is illustrated with more than 200 worksfrom the Britten-Pears collection and considers more widely the importance of art and design in their lives and work. There is also a comprehensive checklist of over 300 paintings, prints, drawings and sculptures in the collection with details including size, medium, date and purchase price. The book is edited by former Britten-Pears Foundation Curator Judith LeGrove, who also explains how the collection evolved and provides a checklist of keyworks. Colin Matthews, who worked with Britten and is now BPF's Director of Music, provides an introduction, while the current Curator at The Red House, Caroline Harding, uses correspondence in the BPF archive to explore the patronage by Britten and Pears of a wide range of artists. Julian Potter writes on the friendship between his mother, the artist Mary Potter, and Britten. Broadening the scope of the visual arts, architectural historian AlanPowers considers the buildings commissioned or modified by Britten and Bloomsbury; Britten's work for film; Sidney Nolan's artistic responses to Britten's music; and the designs for Britten's stage works, most notably by John Piper. This heavily illustrated publication considers the importance of art and design in the lives of composer Benjamin Britten and tenor Peter Pears. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781843838869
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Paperback. Etat : Very Good. This heavily illustrated publication considers the importance of art and design in the lives of composer Benjamin Britten and tenor Peter Pears. Anyone who has visited the Red House in Aldeburgh will have been struck by the range and quality of art collected by Benjamin Britten and, in particular, by Peter Pears. A Musical Eye is illustrated with more than 200 worksfrom the Britten-Pears collection and considers more widely the importance of art and design in their lives and work. There is also a comprehensive checklist of over 300 paintings, prints, drawings and sculptures in the collection with details including size, medium, date and purchase price. The book is edited by former Britten-Pears Foundation Curator Judith LeGrove, who also explains how the collection evolved and provides a checklist of keyworks. Colin Matthews, who worked with Britten and is now BPF's Director of Music, provides an introduction, while the current Curator at The Red House, Caroline Harding, uses correspondence in the BPF archive to explore the patronage by Britten and Pears of a wide range of artists. Julian Potter writes on the friendship between his mother, the artist Mary Potter, and Britten. Broadening the scope of the visual arts, architectural historian AlanPowers considers the buildings commissioned or modified by Britten and Bloomsbury; Britten's work for film; Sidney Nolan's artistic responses to Britten's music; and the designs for Britten's stage works, most notably by John Piper. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR007139324
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