'Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us' HILARY MANTEL
'Mary Renault's portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics. Her characters live vividly both in their own time, and in ours' MADELINE MILLER
Combining the scholarship of a historian with the imagination of a novelist, Mary Renault brings the ancient Greek stage thrillingly to life.
Set in fourth-century B.C. Greece, The Mask of Apollo is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theatre's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the centre of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos' eyes, the reader watches as the clash between the two unleashes all the pent-up violence in the city.
'All my sense of the ancient world - its values, its style, the scent of its wars and passions - comes from Mary Renault. I turned to writing historical fiction because of something I learned from Renault: that it lets you shake off the mental shackles of your own era, all the categories and labels, and write freely about what really matters to you' EMMA DONOGHUE
'There's much to wonder at in the way she fills in the large dark spaces where we know next to nothing about the times she describes . . . an important and wonderful writer . . . she set a course into serious-minded, psychologically intense historical fiction that today seems more important than ever' - Sam Jordison, Guardian
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Mary Renault (1905-1983) was born in London and educated at St Hughs, Oxford. She trained as a nurse at Oxford's Radcliffe Infirmary, where she met her lifelong partner, Julie Mullard. Her first novel, Purposes of Love, was published in 1937. In 1948, after North Face won a MGM prize worth $150,000, she and Mullard emigrated to South Africa. There, Renault was able to write forthrightly about homosexual relationships for the first time - in her masterpiece, The Charioteer (1953), and then in her first historical novel, The Last of the Wine (1956). Renault's vivid novels set in the ancient world brought her worldwide fame. In 2010 Fire From Heaven was shortlisted for the Lost Booker of 1970.
'Mary Renault is a shining light to both historical novelists and their readers. She does not pretend the past is like the present, or that the people of ancient Greece were just like us. She shows us their strangeness; discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us' Hilary Mantel
Nikeratos is a celebrated tragic actor, a devotee of Plato, and a friend of Dion of Syracuse. Throughout all his travels, he always takes with him a mask of Apollo, a relic of the Greek theatre's golden age. At first it is his amulet, but the mask gradually becomes his conscience, and he refers to it in all his gravest decisions. His relationship with Dion and Plato gives Nikeratos rare proximity to the Greek political stage at a moment when ambitions are about to collide. In Syracuse, the young tyrant Dionysios the Younger rules, but Dion is determined to bring democracy and strength to the city. In an effort to curb Dionysios's excesses, Dion has Plato pose as a tutor-only to learn that the corrupt youth won't be so easily contained.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Set in fourth-century B.C. Greece, The Mask of Apollo is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theatre's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the centre of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos' eyes, the reader watches as the clash between the two unleashes all the pent-up violence in the city. N° de réf. du vendeur LU-9781844089567
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Paperback. Etat : new. Paperback. Set in fourth-century B.C. Greece, THE MASK OF APOLLO is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theatre's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the centre of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos' eyes, the reader watches as the clash between the two unleashes all the pent-up violence in the city. Combining the scholarship of a historian with the imagination of a novelist, Mary Renault brings the ancient Greek stage thrillingly to life. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781844089567
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