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Animation Art: From Pencil to Pixel, the World of Cartoon, Amime and CGI - Couverture souple

 
9781844511402: Animation Art: From Pencil to Pixel, the World of Cartoon, Amime and CGI

Synopsis

Nearly a century before the ground-breaking phenomenon Toy Story, Little Nemo appeared in the New York Herald and ushered in a major new art form. The thrilling journey from such humble origins to the blockbuster movies of today's CGI extravaganzas like Shrek had begun, capturing the imagination of successive generations and embracing the onslaught of an accelerated technological revolution. Covering every aspect of animation (from the movies to MTV) from every part of the world, Animation Art revels in the techniques, the stories, the technology and the personalities which have fashioned the development of this truly modern art form. The list of authors includes producers, animators, voice artists, animation magazine editors, writers, directors, importers, educationalists and enthusiasts. It includes the Head of Artistic Development at Dreamworks, a director/writer/producer for Disney, Warner and Nickelodeon, and one of the animators of the Sixties classic Yellow Submarine.

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Présentation de l'éditeur

This large format, comprehensive, high quality and visually rich art book covers the history of animation throughout the world, focusing heavily on the North American creative engines of Disney, Warner and now the new, small production CGI houses.The book is divided into world regions to reveal the clear developments in each area, but heavy cross referencing will show the increasing internationalization of animation from the 1930's when the industry and creative imagination of Walt Disney began to infect artists and producers the world over, revealed most recently in The Matrix phenomenon where the bridge between the first and subsequent films, (Animatrix, nine animated shorts), was provided by a pioneering collaboration between US and Japanese animation studios.

Beginning with the earliest in animation, we follow the few individuals who worked on their own to develop techniques that would soon transform animation into a mass-market phenomenon. In recent years, animation has been hugely impacted by the arrival of the computer, seen in films such as Toy Story and Shrek. Computers have pushed animation to the limit by achieving fine, detailed, real-world rendering techniques that challenge the next generation of animators.

Biographie de l'auteur

General Editor, Jerry Beck, has extensive and senior experience in the film industry, and has become one of the top names in the business. He has written numerous books on animation including I Tawt I Taw a Putty Tat: 50 Years of Sylvester and Tweety (Henry Holt, 1991). Beck has taught at UCLA and conducted seminars for the American Film Institute, New York University, and at the School of Visual Arts. He has been an animation consultant for Walt Disney Television Animation, has compiled many collector's editions of cartoons for Columbia House, VCI Entertainment, and even formed Cartoon Research Co. to write books, consult on animation projects, and various other supply methods for cartoons, new features, and TV series.

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Autres éditions populaires du même titre

9780060737139: Animation Art: From Pencil to Pixel, the World of Cartoon, Anime, and CGI

Edition présentée

ISBN 10 :  0060737131 ISBN 13 :  9780060737139
Editeur : Harper Paperbacks, 2004
Couverture souple