British Colour Cinema: Practices and Theories - Couverture rigide

Couverture rigide

ISBN 10 : 1844574148 ISBN 13 : 9781844574148

Editeur : British Film Institute, 2013

Synopsis

Created as a companion volume to a major history of colour in British Cinema (also by Sarah Street), British Colour Cinema is a book based on a series of unique interviews conducted by Sarah Street and Elizabeth I Watkins with practitioners who worked in the UK with Technicolor and/or Eastmancolor during the 1930s-1950s.

A propos du livre

À propos des auteurs

SIMON BROWN is Director of Studies for Film and Television at Kingston University. His work has been published in the journals Film History, Film Studies, Science Fiction Film and Television, Early Popular Visual Culture and Critical Studies in Television. He is co-editor of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012) (with Sarah Street and Liz Watkins) and author of the Technical Appendix in Sarah Street's Colour Films in Britain: The Negotiation of Innovation 1900-55 (BFI, 2012).

Sarah Street is Professor of Film at the University of Bristol, UK.

LIZ WATKINS is a lecturer at the University of Leeds, UK. She has published articles in a number of film journals, including Parallax, Paragraph and the British Journal of Cinema and Television. She is co-editor, with Simon Brown and Sarah Street, of Color and the Moving Image: History, Theory, Aesthetics, Archive (2012).

Détails de l'édition

• Éditeur: British Film Institute
• Date d'édition: 2013
• Langue: anglais
• ISBN 10: 1844574148
• ISBN 13: 9781844574148
• Reliure: Relié
• Nombre de pages: 280
• Éditeur: Brown Simon, Street Sarah, Watkins Elizabeth
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible