In this intellectually wide-ranging book John Roberts develops a labor theory of culture as a model for explaining the dynamics of avant-garde art and the expansion of artistic authority in the twentieth and twenty-first centuries.
From Duchamp to Warhol, conceptual art, and the "post-visual" practices of the moment, Roberts explores the relationship between artistic labor and productive labor, and the limits and possibilities of authorship. In doing so, he confronts a recurring theme of both conservative and radical detractors of modern art in the twentieth and twenty-first centuries: how is skill, and the seeming absence of skill in modern art, to be theorized and evaluated? Drawing on cognitive psychology, labor process theory, social anthropology, and debates in contemporary political philosophy, Roberts' book establishes a new critical topography for examining the cultural form of art today.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
John Roberts is Professor of Art and Aesthetics at the University of Wolverhampton. His books include The Art of Interruption: Realism, Photography and the Everyday; The Philistine Controversy (with Dave Beech), Philosophizing the Everyday, and The Necessity of Errors. He is also a contributor to Radical Philosophy, Oxford Art Journal, Historical Materialism, Third Text, and Cabinet magazine. He lives in London.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Good. Many people who look at art decry it for the lack of craft skill in its production, whether it be painting, photography or sculpture. This work sheds light on this obsolescence of traditional craft skills in contemporary art, exploring the technological and social developments that gave rise to those postmodern theories. N° de réf. du vendeur 00109989743
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Very Good. Many people who look at art decry it for the lack of craft skill in its production, whether it be painting, photography or sculpture. This work sheds light on this obsolescence of traditional craft skills in contemporary art, exploring the technological and social developments that gave rise to those postmodern theories. N° de réf. du vendeur CIN1844671674VG
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Good. Many people who look at art decry it for the lack of craft skill in its production, whether it be painting, photography or sculpture. This work sheds light on this obsolescence of traditional craft skills in contemporary art, exploring the technological and social developments that gave rise to those postmodern theories. N° de réf. du vendeur CIN1844671674G
Quantité disponible : 1 disponible(s)
Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Very Good. Many people who look at art decry it for the lack of craft skill in its production, whether it be painting, photography or sculpture. This work sheds light on this obsolescence of traditional craft skills in contemporary art, exploring the technological and social developments that gave rise to those postmodern theories. N° de réf. du vendeur CIN1844671674VG
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Vendeur : Lakeside Books, Benton Harbor, MI, Etats-Unis
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Paperback or Softback. Etat : New. The Intangibilities of Form: Skill and Deskilling in Art After the Readymade. Book. N° de réf. du vendeur BBS-9781844671670
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. In this intellectually wide-ranging book John Roberts develops a labor theory of culture as a model for explaining the dynamics of avant-garde art and the expansion of artistic authority in the twentieth and twenty-first centuries.From Duchamp to Warhol, conceptual art, and the "post-visual" practices of the moment, Roberts explores the relationship between artistic labor and productive labor, and the limits and possibilities of authorship. In doing so, he confronts a recurring theme of both conservative and radical detractors of modern art in the twentieth and twenty-first centuries: how is skill, and the seeming absence of skill in modern art, to be theorized and evaluated? Drawing on cognitive psychology, labor process theory, social anthropology, and debates in contemporary political philosophy, Roberts' book establishes a new critical topography for examining the cultural form of art today. Many people who look at art decry it for the lack of craft skill in its production, whether it be painting, photography or sculpture. This work sheds light on this obsolescence of traditional craft skills in contemporary art, exploring the technological and social developments that gave rise to those postmodern theories. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781844671670
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
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