Hal Foster, author of the acclaimed Design and Crime, argues that a fusion of architecture and art has become a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard Serra. At the same time Foster points to a 'global style' of architecture, as practiced by Norman Foster, Richard Rogers and Renzo Piano, that is analogous to the 'international style' of Le Corbusier, Gropius and Mies-a global style that, more than any art, conveys the look of modernity today, both its dreams and its delusions. In these ways Foster demonstrates that the 'art-architecture complex' is a key indicator of broader social and economic trajectories, and in urgent need of analysis and debate.
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Hal Foster is Townsend Martin Professor of Art and Archaeology at Princeton University. A coeditor of October magazine and books, he is the editor of The Anti-Aesthetic: Essays on Postmodern Culture and author of Compulsive Beauty and The Return of the Real. He is the author of Design and Crime from Verso.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Massive Bookshop, Greenfield, MA, Etats-Unis
Hardcover. Etat : Fine in fine dust jacket. Sewn binding. Cloth over boards. 316 p. Contains: Illustrations. Audience: General/trade. N° de réf. du vendeur MBU0000793
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 18546827-6
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Vendeur : Bay State Book Company, North Smithfield, RI, Etats-Unis
Etat : good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing. N° de réf. du vendeur BSM.112FI
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Vendeur : Harry Alter, Sylva, NC, Etats-Unis
hardcover, Etat : Very Good, Verso, London, c.2011, 8vo., cloth, 302pp., remainder mark, VG/VG $. N° de réf. du vendeur 102809
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Vendeur : A Cappella Books, Inc., Atlanta, GA, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Mild edgewear. Pages clean and bright. N° de réf. du vendeur 384009
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Fine. Cloth, xiii, 302 pages, illustrations (chiefly colour); 22 cm. Near fine. Tight, clean copy. Tips mildly bumped. Dust jacket protected in a mylar cover. *** "Hal Foster, author of the acclaimed Design and Crime, argues that a fusion of architecture and art is a defining feature of contemporary culture. While architects such as Zaha Hadid and Herzog and de Meuron draw on art to reanimate design, architecture has inspired fundamental transformations in painting, sculpture and film, which are also explored here. The book includes an extensive conversation with Richard Serra. At the same time Foster points to a 'global style' of architecture, as practiced by Norman Foster, Richard Rogers and Renzo Piano, that is analogous to the 'international style' of Le Corbusier, Gropius and Mies--a global style that, more than any art, conveys the look of modernity today, both its dreams and its delusions. In these ways Foster demonstrates that 'the art-architecture complex' is a key indicator of broader social and economic trajectories and in urgent need of analysis and debate. / Hal Foster is Townsend Martin Professor of Art and Archaeology at Princeton University. A coeditor of October magazine and a number of books, he is the editor of The Anti-Aesthetic as well as the author of Design and Crime, Recording, The Return of the Real, and Compulsive Beauty." - Publisher. *** CONTENTS: Image-building; Part I. Global styles: Pop civics; Crystal palaces; Light modernity; Part II. Architecture vis-a`-vis art: Neo-avant-garde gestures; Postmodernist machines; Minimalist museums; Part III. Mediums after minimalism: Sculpture remade; Film stripped bare; Painting unbound; Building contra image. Size: 8vo. Collectible. N° de réf. du vendeur 121619
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Vendeur : Smith Family Bookstore Downtown, Eugene, OR, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. text clean and unmarked. binding tight. boards have very light wear. edges of pages have light wear. mylar-covered dust jacket has a closed tear along spine and rear hinge. N° de réf. du vendeur 5030805
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR007009342
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Vendeur : Phatpocket Limited, Waltham Abbey, HERTS, Royaume-Uni
Etat : Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. N° de réf. du vendeur Z1-Q-010-02713
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