Articles liés à Early Italian Painting

9781844848485: Early Italian Painting

Synopsis

Vacillating between the majesty of the Greco-Byzantine heritage and the modernity forecasted by Giotto, Early Italian painting summarises the first steps that lead to the Renaissance. Trying out new mediums, those first artists left frescoes for removable panels. If the sacred faces shock us novices, this distance was more than wanted during this era and in order to emphasize the divinity of the characters, it highlighted their divinity comforted the sanctified with a background covered with gold leaves. The elegance of the line and the colour choice was combined to reinforce the symbolic choices. The half-confessed ultimate goal of the Early Italians artists was to make the invisible… visible. In this magnificent book, the author emphasizes the importance that the rivalry between the Siennese and Florentine schools played for the evolution of art history. And the reader, in the course of these forgotten masterworks, will discover how, little by little, the sacred became incarnate and more human…opening a discrete but definitive door through the use of anthropomorphism, as was cherished by the Renaissance.

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À propos de l'auteur

Sir Joseph Archer Crowe was an English consular official and art critic, whose volumes of the History of Painting in Italy, co-written with the Italian critic Giovanni Battista Cavalcaselle (1819-1897), stand at the beginning of disciplined modern art history writing in English. With Cavalcaselle (an Italian writer and art critic), he produced several historical works on art of classic importance, notably Early Flemish Painters (London, 1857) and A New History of Painting in Italy from the Second to the Sixteenth Century (London, 1864-1871, 5 vols.).

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Autres éditions populaires du même titre

9781646994519: Early Italian Painting: From Giotto to Fra Angelico: the birth of perspective

Edition présentée

ISBN 10 :  1646994515 ISBN 13 :  9781646994519
Editeur : Parkstone International, 2018
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