Johnny loves making things and whenever he has spare time he can be found hammering and banging and sawing up pieces of wood. But his parents don't think much of his hobby. 'Oh dear!' they cry whenever he begins, 'JOHNNY IS UP TO HIS NONSENSE AGAIN.' So it comes as no surprise that when he decides to make a grandfather clock they call him silly and tell him to do something 'useful' instead. In fact, the only person who believes Johnny can do it is Susannah. Will Johnny be able to build his very own grandfather clock, with only the help of Susannah and Joe the Blacksmith?
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Edward Ardizzone was the eldest of five children. In 1905 his family moved to Ipswich, where he learnt to know and love the little coastal steamers that he was to draw so often in the Little Tim books. Illustrator of more than 170 much-loved children's books, Edward Ardizzone was awarded the Kate Greenaway Medal in 1956 and the CBE in 1971. He died in 1979.
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Vendeur : Richard Thornton Books PBFA, Clitheroe, LANCA, Royaume-Uni
Soft cover. Etat : Fine. Etat de la jaquette : Near Fine. Ardizzone, Edward (illustrateur). Reprint. This title was acquired from the Library of Northern Artist Robert Easton 1936-2023. Bob Eaton was a respected Northern artist whose large catalogue of work reflected a number of painting styles that mainly captured the changing industrial and rural landscapes of North East Lancashire. His early love of art saw him trained at Accrington Art College in the 1950s and following his Army Service he became a secondary school art teacher in Accrington. Bob gained a growing reputation locally for his work, but he also exhibited Nationally at the Royal Academy in London and at an exhibition of British Artists at the Louvre in Paris in the 1970s.After retiring from teaching there followed a forty year period of prolific output that coincided with an increasing reluctance to sell his work or have any interest in the business side of the art world. This period of deliberate retreat from public recognition conversely saw him in regular correspondence with a number of famous artists of the time. This thirst for knowledge was supplemented by the purchase of a diverse library of hundreds of quality art books, used by him for reference, learning and for the pleasure of reading and examining the artists' work.A prolific collector of books; a visitor of galleries and an exchanger of ideas with some of the greats of 20th century British Art. He was a lifelong true lover of his subject. Foremost however, he was also a very capable and talented practitioner in his own right, painting from hundreds of sketches made in all weathers on the dark fields and streets of his native county. Shunning the limelight that his ability probably warranted, he leaves behind him, a considerable and interesting library of books and a large catalogue of excellent paintings, hidden from the public for four decades and which exists largely intact following his death in 2023.This book is a Fine Copy in a Near Fine Dust-Jacket.The book has a firm binding and with no hinge weakness.Lovely copy to own for the collector especially with the added provenance of it coming from the private collection of Robert Eaton,4to Reprint 2009. N° de réf. du vendeur 84065
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Vendeur : MERS Goodwill-Kansas City, Blue Springs, MO, Etats-Unis
Etat : good. Ardizzone, Edward (illustrateur). The book has been read but is in good condition. It has very minimal damage to the cover, including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. The binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, and no writing in the margins. There are no missing pages. See the seller's listing for full details and a description of any imperfections. N° de réf. du vendeur WMEKV.1845079140.G
Quantité disponible : 1 disponible(s)