Cinema was one of the Cold War's most powerful instruments of propaganda. Movies blended with literary, theatrical, musical and broadcast representations of the conflict to produce a richly textured Cold War culture. Now in paperback, this timely book fills a significant gap in the international story by uncovering British cinema's contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. Tony Shaw focuses on an age in which the 'first Cold War' dictated international (and to some extent domestic) politics. This era also marked the last phase of cinema's dominance as a mass entertainment form in Britain. Shaw explores the relationship between film-makers, censors and Whitehall, within the context of the film industry's economic imperatives and the British government's anti-Soviet and anti-Communist propaganda strategies. Drawing upon rich documentation, he demonstrates the degree of control exerted by the state over film output.
Shaw analyses key films of the period, including High Treason, which put a British McCarthyism on celluloid; the fascinatingly ambiguous science fiction thriller The Quatermass Experiment; the dystopic The Damned, made by one of Hollywood's blacklisted directors, Joseph Losey; and the CIA-funded, animated version of George Orwell's novel "Animal Farm". The result is a deeply probing study of how Cold War issues were refracted through British films, compared with their imported American and East European counterparts, and how the British public received this 'war propaganda'.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
TONY SHAW is Reader in International History at the University of Hertfordshire. His publications include Eden, Suez and the Mass Media: Propaganda and Persuasion during the Suez Crisis (I.B.Tauris). He is currently working on two projects: an account of Hollywood's propaganda role during the Cold War, and a history of British government propaganda during the Cold War.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9781845112110. N° de réf. du vendeur 2931101
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Cinema was one of the Cold War's most powerful instruments of propaganda. Movies blended with literary, theatrical, musical and broadcast representations of the conflict to produce a richly textured Cold War culture. Now in paperback, this timely book fills a significant gap in the international story by uncovering British cinema's contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. Tony Shaw focuses on an age in which the 'first Cold War' dictated international (and to some extent domestic) politics. This era also marked the last phase of cinema's dominance as a mass entertainment form in Britain. Shaw explores the relationship between film-makers, censors and Whitehall, within the context of the film industry's economic imperatives and the British government's anti-Soviet and anti-Communist propaganda strategies. Drawing upon rich documentation, he demonstrates the degree of control exerted by the state over film output.Shaw analyses key films of the period, including High Treason, which put a British McCarthyism on celluloid; the fascinatingly ambiguous science fiction thriller The Quatermass Experiment; the dystopic The Damned, made by one of Hollywood's blacklisted directors, Joseph Losey; and the CIA-funded, animated version of George Orwell's novel "Animal Farm". The result is a deeply probing study of how Cold War issues were refracted through British films, compared with their imported American and East European counterparts, and how the British public received this 'war propaganda'. N° de réf. du vendeur LU-9781845112110
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur HU-9781845112110
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Vendeur : Pearlydewdrops, Streat, Royaume-Uni
paperback. Etat : Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed. N° de réf. du vendeur mon0000309229
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Uncovers British cinema's contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. This book focuses on an age in which the 'first Cold War' dictated international politics. It explores the relationship between film-makers, censors and Whitehall. Series: Cinema and Society. Num Pages: 296 pages, illustrations. BIC Classification: APF; JPS; JPVN. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 231 x 157 x 27. Weight in Grams: 458. . 2006. Paperback. . . . . N° de réf. du vendeur V9781845112110
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Vendeur : George Longden, Macclesfield, Royaume-Uni
Paperback. Etat : Very Good. Reprint. First published 2001. 235 x 155 mm. xii, 280 pp. Pictorial card covers. A bright, presentable copy. Spine not creased. Occasional b&w illustrations. Endnotes, bibliography, index. Book. N° de réf. du vendeur 70660
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Vendeur : Test Centre Books, Norwich, Royaume-Uni
Soft cover. Etat : Near Fine. First Edition Thus. 8vo. xii, 280pp. Illustrated. 1st printing of 1st paperback edition. An era which marked the last phase of cinema's dominance as a mass entertainment form in Britain. Near fine. N° de réf. du vendeur 001622
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. pp. 296. N° de réf. du vendeur 5290747
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