Anthropologists of the senses have long argued that cultures differ in their sensory registers. This groundbreaking volume applies this idea to material culture and the social practices that endow objects with meanings in both colonial and postcolonial relationships. It challenges the privileged position of the sense of vision in the analysis of material culture. Contributors argue that vision can only be understood in relation to the other senses. In this they present another challenge to the assumed western five-sense model, and show how our understanding of material culture in both historical and contemporary contexts might be reconfigured if we consider the role of smell, taste, touch and sound, as well as sight, in making meanings about objects.
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Professor Elizabeth Edwards is Research Professor of Photographic History and Director of the Photographic History Research Centre. A visual and historical anthropologist, she has worked extensively on the relationships between photography, anthropology and history in cross-cultural environments and on the social practices of photography. Her monographs and edited works include Anthropology and Photography (1992), Raw Histories (2001), Photographs Objects Histories (2004), Sensible Objects (2006), Photography, Anthropology and History: Expanding the Frame (2009) and most recently The Camera as Historian: Amateur Photographers and Historical Imagination 1885-1918, (2012). She has published over 70 essays in journals and exhibition catalogues over the years and was recently featured in 50 Key Writers on Photography (2013). She is on the board of major journals in the field including Visual Studies and History of Photography. She recently completed a major HERA/European-funded project on the role of the photographic legacy of the colonial past in contemporary Europe (http//: photoclec.dmu.ac.uk).
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Paperback. Etat : new. Paperback. Anthropologists of the senses have long argued that cultures differ in their sensory registers. This groundbreaking volume applies this idea to material culture and the social practices that endow objects with meanings in both colonial and postcolonial relationships. It challenges the privileged position of the sense of vision in the analysis of material culture. Contributors argue that vision can only be understood in relation to the other senses. In this they present another challenge to the assumed western five-sense model, and show how our understanding of material culture in both historical and contemporary contexts might be reconfigured if we consider the role of smell, taste, feel and sound, as well as sight, in making meanings about objects. Anthropologists of the senses have long argued that cultures differ in their sensory registers This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781845203245
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Etat : Bueno. : Sensible Objects: Colonialism, Museums and Material Culture explora la intersección entre el colonialismo, los museos y la cultura material. Editado por Elizabeth Edwards, Chris Gosden y Ruth Phillips, este libro de la serie Wenner-Gren International Symposium examina cómo los objetos se convierten en portadores de significado y cómo los museos dan forma a nuestra comprensión del pasado colonial. Con contribuciones de varios autores, el libro profundiza en la antropología social y cultural, la arqueología y los aspectos sociales de la cultura material. EAN: 9781845203245 Tipo: Libros Categoría: Arte y Cultura|Historia Título: Sensible Objects Autor: Elizabeth Edwards| Chris Gosden| Ruth Phillips Editorial: Berg Publishers Idioma: eng Páginas: 288 Formato: tapa blanda. N° de réf. du vendeur Happ-2025-12-02-f6ff5357
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