Vision is more than looking or seeing. It is integral to all human action. Visual Sense presents a series of readings which offer a range of alternatives to conventional psychological and social scientific approaches to the study of the ocular. The book highlights the multitude of ways in which vision is linked to the other senses by virtue of being embedded in complex cultural processes.
Visual Sense introduces students to the analysis of a wide range of ways of experiencing sight across time and across cultures: from Renaissance Italy, Aztec Mexico and early Christian Europe, to Tibet, West Africa, Aboriginal Australia and South America, amongst others. It is arranged around broad themes of visual experience, ranging from navigating the sacred and ordering knowledge about the world to thinking creatively, socially and beyond vision into cyberspace and daydream. This unique approach allows cross-cultural and thematic connections to be made. A Guide to Further Reading allows students to expand their learning independently, and section introductions place the readings in context.
Visual Sense expands the field of visual studies and explores the place of vision in the sensory world.
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Professor Elizabeth Edwards is Research Professor of Photographic History and Director of the Photographic History Research Centre. A visual and historical anthropologist, she has worked extensively on the relationships between photography, anthropology and history in cross-cultural environments and on the social practices of photography. Her monographs and edited works include Anthropology and Photography (1992), Raw Histories (2001), Photographs Objects Histories (2004), Sensible Objects (2006), Photography, Anthropology and History: Expanding the Frame (2009) and most recently The Camera as Historian: Amateur Photographers and Historical Imagination 1885-1918, (2012). She has published over 70 essays in journals and exhibition catalogues over the years and was recently featured in 50 Key Writers on Photography (2013). She is on the board of major journals in the field including Visual Studies and History of Photography. She recently completed a major HERA/European-funded project on the role of the photographic legacy of the colonial past in contemporary Europe (http//: photoclec.dmu.ac.uk).
Kaushik Bhaumik is Research Fellow, The Open University.
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