Songs of frustration and defiance from African slaves and displaced Indian laborers are expressed in a harsh and lyrical Guyanese Creole far removed from contemporary English in these provocative Caribbean poems. An insightful critical apparatus of English translations surrounds these lyrics, shedding light on their meaning, while at the same time cleverly commenting on the impossibility of translating Creole and parodying critical attempts to explain and contextualize Caribbean poetry. Twenty years after the initial release of this work, the power of these poems and the self-fashioned critique that accompanies them remain a lively and vital part of Caribbean literature.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David Dabydeen is the author of Counting House, Disappearance, In a Harlot's Progress, and The Intended. He is the editor of The Black Presence in English Literature.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. "Slave Song" is unquestionably one of the most important collections of Caribbean/Black British poetry to have been published in the last twenty years. On its first publication in 1984 it won the Commonwealth Poetry Prize and established Dabydeen as a provocative and paradigm-shifting writer. At the heart of "Slave Song" are the voices of African slaves and Indian labourers expressing, in a Guyanese Creole that is as far removed from Standard English as it is possible to get, their songs of defiance, of a thwarted erotic energy. But surrounding this harsh and lyrical core of Creole expression is an elaborate critical apparatus of translations (which deliberately reveal the actual untranslatability of the Creole) and a parody of the kind of critical commentary that does no more than paraphrase or at best contextualise the original poem.It took some time for the displaced critics to recognise that this prosaic apparatus was as much part of the meaning of the whole as the poems themselves, that Dabydeen was engaged in a play of masks, an expression of his own duality and a critique of the relationship which is at the core of Caribbean writing: that between the articulate writer and the supposedly voiceless workers and peasants. This new edition has an afterword by David Dabydeen that briefly explores his response to these poems after more than twenty years. Winner of the Commonwealth Poetry Prize, this work presents one of the important collections of Caribbean/Black British poetry. It contains the voices of African slaves and Indian labourers expressing, in a Guyanese Creole, that is as far removed from Standard English as it is possible to get. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781845230043
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Paperback. Etat : New. Slave Song is unquestionably one of the most important collections of Caribbean/Black British poetry to have been published in the last twenty years. On its first publication in 1984 it won the Commonwealth Poetry Prize and established Dabydeen as a provocative and paradigm-shifting writer.At the heart of Slave Song are the voices of African slaves and Indian labourers expressing, in a Guyanese Creole that is as far removed from Standard English as it is possible to get, their songs of defiance, of a thwarted erotic energy. But surrounding this harsh and lyrical core of Creole expression is an elaborate critical apparatus of translations (which deliberately reveal the actual untranslatability of the Creole) and a parody of the kind of critical commentary that does no more than paraphrase or at best contextualise the original poem. It took some time for the displaced critics to recognise that this prosaic apparatus was as much part of the meaning of the whole as the poems themselves, that Dabydeen was engaged in a play of masks, an expression of his own duality and a critique of the relationship which is at the core of Caribbean writing: that between the articulate writer and the supposedly voiceless workers and peasants.This new edition has an afterword by David Dabydeen that briefly explores his response to these poems after more than twenty years.David Dabydeen was born in Guyana. He has published six acclaimed novels and three collections of poetry. He is a Fellow of the Royal Society of Literature and Professor of Literary Studies at the University of Warwick. N° de réf. du vendeur LU-9781845230043
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Paperback. Etat : New. Slave Song is unquestionably one of the most important collections of Caribbean/Black British poetry to have been published in the last twenty years. On its first publication in 1984 it won the Commonwealth Poetry Prize and established Dabydeen as a provocative and paradigm-shifting writer.At the heart of Slave Song are the voices of African slaves and Indian labourers expressing, in a Guyanese Creole that is as far removed from Standard English as it is possible to get, their songs of defiance, of a thwarted erotic energy. But surrounding this harsh and lyrical core of Creole expression is an elaborate critical apparatus of translations (which deliberately reveal the actual untranslatability of the Creole) and a parody of the kind of critical commentary that does no more than paraphrase or at best contextualise the original poem. It took some time for the displaced critics to recognise that this prosaic apparatus was as much part of the meaning of the whole as the poems themselves, that Dabydeen was engaged in a play of masks, an expression of his own duality and a critique of the relationship which is at the core of Caribbean writing: that between the articulate writer and the supposedly voiceless workers and peasants.This new edition has an afterword by David Dabydeen that briefly explores his response to these poems after more than twenty years.David Dabydeen was born in Guyana. He has published six acclaimed novels and three collections of poetry. He is a Fellow of the Royal Society of Literature and Professor of Literary Studies at the University of Warwick. N° de réf. du vendeur LU-9781845230043
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