Drawing on a powerful sense of Trinidadian history and moving seamlessly between matters of family and matters of country, Jennifer Rahim's confessional and sensitive poems explore the threats and realities of fragmentation--of psyche's, of family, and of a nation. With a balance of personal trauma, misery, and death with the cool, reflective nature of poetry, these pieces touch on topics such as family relationships and secrets, gender, abuse, and a troubled, fragile Caribbean.
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Jennifer Rahim teaches at the University of the West Indies-St. Augustine, Trinidad. Her poems have appeared in several Caribbean and international journals and anthologies, and in 1992 she won the Writers Union of Trinidad and Tobago Writer of the Year Award for Mothers Are Not the Only Linguists.
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. N° de réf. du vendeur GOR014703891
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Winner of a Casa de las Américas Prize 2010, one of Latin America's oldest and most prestigious literary awards.The jury said the collection "captures a sense of the complexities of historical, social and cultural aspects of contemporary Caribbean".Jennifer Rahim's poems move seamlessly between the inwardly confessional, an acute sensitivity to the distinctive subjectivities of an immediate circle of family, friends and neighbours, and a powerful sense of Trinidadian place and history. Few have written more movingly or perceptively of what can vex the relationship between daughters and mothers, or with such a mixture of compassion and baffled rage about a daughter's relationship to her father. If Sylvia Plath comes to mind, acknowledged in the poem 'Lady Lazarus in the Sun', the comparison does Rahim no disfavours; Rahim's voice and world is entirely her own. There is in her work a near perfect balance between the disciplined craft of the poems, and their capacity to deal with the most traumatic of experiences in a cool, reflective way. Equally, she has the capacity to make of the ordinary something special and memorable.Here is no self-indulgent misery memoir, not least in its compassion and involvement with other lives. The threat and reality of fragmentation - of psyche's, of lives, of a nation - is ever present, but the shape and order of the poems provide a saving frame of wholeness. Poem after poem offers phrases of a satisfying weight and appositeness, like the description of the killers of a boy as 'mere children,/ but twisted like neglected fields of cane'.Jennifer Rahim is Trinidadian. She also writes short fiction and criticism. She is currently Senior Lecturer at The Liberal Arts Department, The University of the West Indies, St Augustine, Trinidad. N° de réf. du vendeur LU-9781845231156
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. Winner of a Casa de las Américas Prize 2010, one of Latin America's oldest and most prestigious literary awards.The jury said the collection "captures a sense of the complexities of historical, social and cultural aspects of contemporary Caribbean".Jennifer Rahim's poems move seamlessly between the inwardly confessional, an acute sensitivity to the distinctive subjectivities of an immediate circle of family, friends and neighbours, and a powerful sense of Trinidadian place and history. Few have written more movingly or perceptively of what can vex the relationship between daughters and mothers, or with such a mixture of compassion and baffled rage about a daughter's relationship to her father. If Sylvia Plath comes to mind, acknowledged in the poem 'Lady Lazarus in the Sun', the comparison does Rahim no disfavours; Rahim's voice and world is entirely her own. There is in her work a near perfect balance between the disciplined craft of the poems, and their capacity to deal with the most traumatic of experiences in a cool, reflective way. Equally, she has the capacity to make of the ordinary something special and memorable.Here is no self-indulgent misery memoir, not least in its compassion and involvement with other lives. The threat and reality of fragmentation - of psyche's, of lives, of a nation - is ever present, but the shape and order of the poems provide a saving frame of wholeness. Poem after poem offers phrases of a satisfying weight and appositeness, like the description of the killers of a boy as 'mere children,/ but twisted like neglected fields of cane'.Jennifer Rahim is Trinidadian. She also writes short fiction and criticism. She is currently Senior Lecturer at The Liberal Arts Department, The University of the West Indies, St Augustine, Trinidad. N° de réf. du vendeur LU-9781845231156
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
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Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days. N° de réf. du vendeur B9781845231156
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Vendeur : Rarewaves USA United, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. Winner of a Casa de las Américas Prize 2010, one of Latin America's oldest and most prestigious literary awards.The jury said the collection "captures a sense of the complexities of historical, social and cultural aspects of contemporary Caribbean".Jennifer Rahim's poems move seamlessly between the inwardly confessional, an acute sensitivity to the distinctive subjectivities of an immediate circle of family, friends and neighbours, and a powerful sense of Trinidadian place and history. Few have written more movingly or perceptively of what can vex the relationship between daughters and mothers, or with such a mixture of compassion and baffled rage about a daughter's relationship to her father. If Sylvia Plath comes to mind, acknowledged in the poem 'Lady Lazarus in the Sun', the comparison does Rahim no disfavours; Rahim's voice and world is entirely her own. There is in her work a near perfect balance between the disciplined craft of the poems, and their capacity to deal with the most traumatic of experiences in a cool, reflective way. Equally, she has the capacity to make of the ordinary something special and memorable.Here is no self-indulgent misery memoir, not least in its compassion and involvement with other lives. The threat and reality of fragmentation - of psyche's, of lives, of a nation - is ever present, but the shape and order of the poems provide a saving frame of wholeness. Poem after poem offers phrases of a satisfying weight and appositeness, like the description of the killers of a boy as 'mere children,/ but twisted like neglected fields of cane'.Jennifer Rahim is Trinidadian. She also writes short fiction and criticism. She is currently Senior Lecturer at The Liberal Arts Department, The University of the West Indies, St Augustine, Trinidad. N° de réf. du vendeur LU-9781845231156
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Vendeur : Rarewaves.com UK, London, Royaume-Uni
Paperback. Etat : New. Winner of a Casa de las Américas Prize 2010, one of Latin America's oldest and most prestigious literary awards.The jury said the collection "captures a sense of the complexities of historical, social and cultural aspects of contemporary Caribbean".Jennifer Rahim's poems move seamlessly between the inwardly confessional, an acute sensitivity to the distinctive subjectivities of an immediate circle of family, friends and neighbours, and a powerful sense of Trinidadian place and history. Few have written more movingly or perceptively of what can vex the relationship between daughters and mothers, or with such a mixture of compassion and baffled rage about a daughter's relationship to her father. If Sylvia Plath comes to mind, acknowledged in the poem 'Lady Lazarus in the Sun', the comparison does Rahim no disfavours; Rahim's voice and world is entirely her own. There is in her work a near perfect balance between the disciplined craft of the poems, and their capacity to deal with the most traumatic of experiences in a cool, reflective way. Equally, she has the capacity to make of the ordinary something special and memorable.Here is no self-indulgent misery memoir, not least in its compassion and involvement with other lives. The threat and reality of fragmentation - of psyche's, of lives, of a nation - is ever present, but the shape and order of the poems provide a saving frame of wholeness. Poem after poem offers phrases of a satisfying weight and appositeness, like the description of the killers of a boy as 'mere children,/ but twisted like neglected fields of cane'.Jennifer Rahim is Trinidadian. She also writes short fiction and criticism. She is currently Senior Lecturer at The Liberal Arts Department, The University of the West Indies, St Augustine, Trinidad. N° de réf. du vendeur LU-9781845231156
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