Characterized by a beautifully realized reciprocity between outer landscape and the characters' inner worlds, this remarkable sequence of lyric poetry explores the blossoming of an innately complicated relationship between a retired fisherman named Monty Cupidon and a naked, bloodied, and traumatized woman he encounters standing at a crossroad who cannot remember who she is or where she came from. The only clues to her former identity are the signs that she once wore a wedding ring, has a butterfly tattoo on her shoulder, and wears red nail polish on her toes. Woven with the narrative elements of mystery and suspense, the poems examine the relationship--from its innocent beginning through the decay of time and into the eventual corruptions of knowledge. Showing an exceptional delicacy of formal control that constantly reinforces the poem's insights and moving conclusions, the space between reflection and story, body and mind, and land and sea is examined as the couple begins to realize that in the very process of piecing their lives back together lies their relationship's probable end.
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Kwame Dawes is an award-winning poet and author who has received the Forward Poetry Prize, the Hollis Summers Poetry Prize, and the Pushcart prize for poetry, among others. He is the author of 12 poetry collections, a short story collection, a play, three critical works, and the novel She's Gone. He lives in Columbia, South Carolina.
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Paperback. Etat : new. Paperback. A retired fisherman, Monty Cupidon, encounters a naked, bloodied and traumatised woman standing at the cross-roads. He offers comfort and takes her in. Suffering from amnesia, she cannot tell him anything about herself. The only clues are the signs that she has once worn a wedding ring, has a butterfly tattoo and red nail polish on her toes. In the absence of memory, he names her Esther. So begins a remarkable sequence of poems that explores many dimensions of liminality. Back of Mount Peace occupies a space between lyric and narrative, between reflection and story. It explores the space between body and mind, making Esther's halting discovery of her self through her body, which like a tree bears its indelible history and, unlike the mind, 'doesn't forget its grievances', work both as moving narrative device and a deeply sensed and sensual reminder of the physicality of existence. Above all, this is a sequence that explores a relationship which begins in a primal Edenic space of innocent discovery in which, as Monty hopes, 'the hallelujah's of new love will begin', but which, like all relationships must enter history, the decay of time and the corruptions of knowledge. In the use of rhyme and other patterns of sound, Back of Mount Peace shows an exceptional delicacy of formal control that constantly reinforces the poem's insights and moving conclusions.Kwame Dawes is widely acknowledged as the foremost Caribbean poet of the post-Walcott generation. He currently holds the position of Distinguished Poet In Residence and Louise Fry Scudder Professor of Liberal Arts at the University of South Carolina. Characterized by a beautifully realized reciprocity between outer landscape and the characters' inner worlds, this remarkable sequence of lyric poetry explores the blossoming of an innately complicated relationship between a retired fisherman named Monty Cupidon and a naked, bloodied, and traumatized woman he encounters standing at a crossroad who cannot remember who she is or where she came from. The only clues to her former identity are the signs that she once wore a wedding ring, has a butterfly tattoo on her shoulder, and wears red nail polish on her toes. Woven with the narrative elements of mystery and suspense, the poems examine the relationship--from its innocent beginning through the decay of time and into the eventual corruptions of knowledge. Showing an exceptional delicacy of formal control that constantly reinforces the poem's insights and moving conclusions, the space between reflection and story, body and mind, and land and sea is examined as the couple begins to realize that in the very process of piecing their lives back together lies their relationship's probable end. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781845231248
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Paperback. Etat : New. A retired fisherman, Monty Cupidon, encounters a naked, bloodied and traumatised woman standing at the cross-roads. He offers comfort and takes her in. Suffering from amnesia, she cannot tell him anything about herself. The only clues are the signs that she has once worn a wedding ring, has a butterfly tattoo and red nail polish on her toes. In the absence of memory, he names her Esther. So begins a remarkable sequence of poems that explores many dimensions of liminality. Back of Mount Peace occupies a space between lyric and narrative, between reflection and story. It explores the space between body and mind, making Esther's halting discovery of her self through her body, which like a tree bears its indelible history and, unlike the mind, 'doesn't forget its grievances', work both as moving narrative device and a deeply sensed and sensual reminder of the physicality of existence. Above all, this is a sequence that explores a relationship which begins in a primal Edenic space of innocent discovery in which, as Monty hopes, 'the hallelujah's of new love will begin', but which, like all relationships must enter history, the decay of time and the corruptions of knowledge. In the use of rhyme and other patterns of sound, Back of Mount Peace shows an exceptional delicacy of formal control that constantly reinforces the poem's insights and moving conclusions.Kwame Dawes is widely acknowledged as the foremost Caribbean poet of the post-Walcott generation. He currently holds the position of Distinguished Poet In Residence and Louise Fry Scudder Professor of Liberal Arts at the University of South Carolina. N° de réf. du vendeur LU-9781845231248
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Paperback. Etat : new. Paperback. A retired fisherman, Monty Cupidon, encounters a naked, bloodied and traumatised woman standing at the cross-roads. He offers comfort and takes her in. Suffering from amnesia, she cannot tell him anything about herself. The only clues are the signs that she has once worn a wedding ring, has a butterfly tattoo and red nail polish on her toes. In the absence of memory, he names her Esther. So begins a remarkable sequence of poems that explores many dimensions of liminality. Back of Mount Peace occupies a space between lyric and narrative, between reflection and story. It explores the space between body and mind, making Esther's halting discovery of her self through her body, which like a tree bears its indelible history and, unlike the mind, 'doesn't forget its grievances', work both as moving narrative device and a deeply sensed and sensual reminder of the physicality of existence. Above all, this is a sequence that explores a relationship which begins in a primal Edenic space of innocent discovery in which, as Monty hopes, 'the hallelujah's of new love will begin', but which, like all relationships must enter history, the decay of time and the corruptions of knowledge. In the use of rhyme and other patterns of sound, Back of Mount Peace shows an exceptional delicacy of formal control that constantly reinforces the poem's insights and moving conclusions.Kwame Dawes is widely acknowledged as the foremost Caribbean poet of the post-Walcott generation. He currently holds the position of Distinguished Poet In Residence and Louise Fry Scudder Professor of Liberal Arts at the University of South Carolina. Characterized by a beautifully realized reciprocity between outer landscape and the characters' inner worlds, this remarkable sequence of lyric poetry explores the blossoming of an innately complicated relationship between a retired fisherman named Monty Cupidon and a naked, bloodied, and traumatized woman he encounters standing at a crossroad who cannot remember who she is or where she came from. The only clues to her former identity are the signs that she once wore a wedding ring, has a butterfly tattoo on her shoulder, and wears red nail polish on her toes. Woven with the narrative elements of mystery and suspense, the poems examine the relationship--from its innocent beginning through the decay of time and into the eventual corruptions of knowledge. Showing an exceptional delicacy of formal control that constantly reinforces the poem's insights and moving conclusions, the space between reflection and story, body and mind, and land and sea is examined as the couple begins to realize that in the very process of piecing their lives back together lies their relationship's probable end. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781845231248
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