From the 1920s to the 1980s Oakeshott filled dozens of notebooks with his private reflections, both personal and intellectual. Their contents range from aphorisms to miniature essays, forming a unique record of his intellectual trajectory over his entire career. This volume makes them accessible in print for the first time, drawing together a host of his previously inaccessible observations on politics, philosophy, art, education, and much else besides. Religion in particular emerges as an ongoing concern for him in a way that is not visible from his published works.
The notebooks also provide a unique source of insight into Oakeshott's musings on life, thanks to the hitherto unsuspected existence of the series of 'Belle Dame' notebooks that were written in the late 1920s and early 1930s but which only came to light two decades after his death. At the same period in which he was developing the concepts that would form Experience and its Modes, Oakeshott's personal life lead him to reflect extensively on love and death, themes that highlight his enduring romantic affinities.
Accompanied by an original editorial introduction, the volume allows readers to see for themselves exactly which works Oakeshott used in compiling each of his notebooks, providing a much clearer record of his intellectual influences than has previously been available. It will be an essential addition to the library of his works for all those interested in his ideas.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
As these Notebooks show, [Oakeshott] managed to keep himself almost entirely free of 'merely parasitic opinion' for his entire working life, some 60 years. More than that: they show how deeply he was imbued in 'the best that has been thought and said'. They are profound, provocative, moving and endlessly quotable. And they cast further light on his life and thought, and on the human predicament --Jesse Norman, New Statesman
Michael Oakeshott's Notebooks are an astonishing work, which must force an enlargement of his already very high reputation. I cannot remember reading a more exhilarating counterblast to the shoddy utilitarianism which disfigures so much scholarship... Open the 550 pages of this new book anywhere, and you will come across something arresting about life, love, liberty, politics, poetry, philosophy, history, morals, education, aesthetics and many other subjects --Andrew Gimson, Conservative Home
Oakeshott a philosopher who ranks with Sartre, Kierkegaard and Heidegger... [His] philosophical eccentricity was matched by eccentricity in many other aspects of his life... The Notebooks bring out this quality, letting us into some of the smouldering passions that lay behind the extreme delicacy of his conversational manner. There is much reflection on God, and on the history of man's relation to the numinous in nature... As well as bringing out the romance in Oakeshott s soul, the Notebooks illustrate very clearly the persistent themes of his mind and the breadth of his interests. --Oliver Letwin MP, The Spectator
From the 1920s to the 1980s Oakeshott filled dozens of notebooks with his private reflections, both personal and intellectual. Their contents range from aphorisms to miniature essays, forming a unique record of his intellectual trajectory over his entire career. This volume makes them accessible in print for the first time, drawing together a host of his previously inaccessible observations on politics, philosophy, art, education, and much else besides. Religion in particular emerges as an ongoing concern for him in a way that is not visible from his published works. The notebooks also provide a unique source of insight into Oakeshott's musings on life, thanks to the hitherto unsuspected existence of the series of 'Belle Dame notebooks that were written in the late 1920s and early 1930s but which only came to light two decades after his death. At the same period in which he was developing the concepts that would form Experience and its Modes, Oakeshott s personal life lead him to reflect extensively on love and death, themes that highlight his enduring romantic affinities. Accompanied by an original editorial introduction, the volume allows readers to see for themselves exactly which works Oakeshott used in compiling each of his notebooks, providing a much clearer record of his intellectual influences than has previously been available. It will be an essential addition to the library of his works for all those interested in his ideas
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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