Commissioned and edited to appeal to a crossover Film and Music Studies readership, Terror Tracks is an anthology that analyses the use of music and sound in the popular genre of Horror cinema. Focusing on the post-War period, contributors analyse the role of music and sound in establishing and enhancing the senses of unease, suspense and shock crucial to the genre. The anthology shows the various patterns of use an inflection in a range of scores - orchestral, popular, rock and electronic - and how these relate to non-musical sound. Lively and accessible, Terror Tracks is an important contribution to study of Horror cinema.
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Philip Hayward (volume editor) is editor of the journal Shima and is an adjunct professor in the School of Communication at University of Technology, Sydney (Australia). He has written widely on island and maritime cultures - see - and has held visiting research professorships at Kansai University and Kagoshima University (Japan) and University of New Orleans (USA). He is currently working on research projects with Wakayama University Centre for Tourism, Japan, and with researchers from the Research Institute for Digital and Cultural Heritage at Ca Foscari University, Venice, Italy.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Commissioned and edited to appeal to a crossover Film and Music Studies readership, Terror Tracks is an anthology that analyses the use of music and sound in the popular genre of Horror cinema. Focusing on the post-War period, contributors analyse the role of music and sound in establishing and enhancing the senses of unease, suspense and shock crucial to the genre. The anthology shows the various patterns of use an inflection in a range of scores - orchestral, popular, rock and electronic - and how these relate to non-musical sound. Lively and accessible, Terror Tracks is an important contribution to study of Horror cinema. N° de réf. du vendeur LU-9781845532024
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