Mark Lewis’s films are remarkable not only for their rich and highly seductive qualities, but also for their extraordinary ability to undermine those characteristics that define mainstream and avant-garde cinema. Through subtle reference to classical motifs and genres, Lewis draws parallels between the film and art worlds and suggests that the evolution of film and technology are intrinsically linked to other visual cultures. This book is published to mark the completion of his most recent film, Rear Projection, a major new piece commissioned by FACT (the Foundation for Art and Creative Technology) in partnership with the British Film Institute and Centro Andaluz de Arte Contemporáneo, Seville. This new work documents a significant shift in Lewis’s practice. Glamorous locations and actors have been replaced with observations of more everyday situations, actions and places. In Rear Projection, Lewis has created a portrait of the actress Molly Parker which is superimposed against the backdrop of a bleak, Canadian landscape through the (now outmoded) method of back projection. Featuring stills and location shots from a number of Mark Lewis’s recent films, this book also includes essays by Philippe-Alain Michaud, Laura Mulvey and Michael Rush which place Lewis’s practice in a wider historical context and highlight a number of artists and filmmakers who have influenced him.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Mark Lewis is an award winning Canadian artist based in London who exhibits internationally and whose films are in major public and private collections. His forthcoming solo show at FACT, Liverpool will go on to tour worldwide. A US venue is still to be confirmed.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Ammareal, Morangis, France
Hardcover. Etat : Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations. N° de réf. du vendeur F-187-268
Quantité disponible : 1 disponible(s)
Vendeur : HPB-Movies, Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_468556132
Quantité disponible : 1 disponible(s)
Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9781846310379. N° de réf. du vendeur 9943937
Quantité disponible : 1 disponible(s)
Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9781846310379. N° de réf. du vendeur 9542407
Quantité disponible : 1 disponible(s)
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Black and color illus. stamped boards, 120 pp., BW and color illus. Text is in English and Spanish. Considers the work of Canadian filmmaker and installation artist Mark Lewis (b. 1958). With essays by Michael Rush, Michael Connor, Philippe-Alain Michaud, and Laura Mulvey, as well as many visuals. VG- (Ex-art library, with i.d. marks on book block edges and outermost pages, page edges are tanning lightly; text and illus. are clear.). N° de réf. du vendeur 159997
Quantité disponible : 1 disponible(s)
Vendeur : Hammer Mountain Book Halls, ABAA, Schenectady, NY, Etats-Unis
Hardcover. Bottom margin of pages very slightly wavy by damp, but no visible staining; otherwise very good condition (no dust jacket). ]. 120p. Text in English and Spanish. N° de réf. du vendeur 42104
Quantité disponible : 1 disponible(s)
Vendeur : Tik Books ME, Madrid, M, Espagne
Encuadernación de tapa dura. Etat : Muy bien. Etat de la jaquette : Muy bien. M679. Karen Allen - 120pp Ensayo ilustrado sobre el cine y Mark Lewis.BD G153374. N° de réf. du vendeur 427679
Quantité disponible : 1 disponible(s)
Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover without dustjacket as issued, 120 pages; in English and Spanish; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur MaLeFa50
Quantité disponible : 1 disponible(s)
Vendeur : stock, Gent, Belgique
Engels/Spaans. Lichte gebruikssporen, verder prima. N° de réf. du vendeur 10758
Quantité disponible : 1 disponible(s)
Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. Liverpool University Press - FACT series; Mark Lewisâs films are remarkable, not only for their rich and highly seductive use of light and color, but also for the way in which they pay homage to both classic Hollywood cinema and the avant-garde while remaining outside of both traditions. Mark Lewis is the first book to explore this acclaimed Canadianâs art, and it features images from several of his works, including his most recent piece, Rear Projection. This film, in particular, documents a significant shift in Lewisâs practice. Actress Molly Parker, known for her roles in Six Feet Under and Deadwood, is superimposed against the bleak landscape of rural Ontario using the standard Hollywood technique of rear projection. Lewis takes what was, for old Hollywood, a tool meant to convey seamless realism, and foregrounds its essential trickery. Another piece incorporates the dreary backdrops of concrete council flats in the same way. In both settings the film takes on a painterly quality, referencing and restaging traditional portraiture to startling effect. Accompanied by essays by Philippe-Alain Michaud, Laura Mulvey, and Michael Rush that place Lewisâs work next to that of his contemporaries, Mark Lewis reaches insightful conclusions about the evolving relationship between film, technology, painting, and photography. N° de réf. du vendeur 90392
Quantité disponible : 1 disponible(s)