'Once upon a time there was a father who, because he had grown old, called together his sons and daughters - four, five, six, eight in number - and finally convinced them, after long hesitation, to do as he wished. Now they are sitting around a table and begin to talk...'
In this delightful sequel to Peeling the Onion, Günter Grass writes in the voices of his eight children as they record memories of their childhoods, of growing up, of their father, who was always at work on a new book, always at the margins of their lives. Memories contradictory, critical, loving, accusatory - they piece together an intimate picture of this most public of men. To say nothing of Marie, Grass's assistant, a family friend of many years, perhaps even a lover, whose snapshots taken with an old-fashioned Agfa box camera provide the author with ideas for his work. But her images offer much more. They reveal a truth beyond the ordinary detail of life, depict the future, tell what might have been, grant the wishes in visual form of those photographed. The children speculate on the nature of this magic: was the enchanted camera a source of inspiration for their father? Did it represent the power of art itself? Was it the eye of God?
The Box is an inspired and daring work of fiction. In its candour, wit, and earthiness, it is Grass at his very best.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Günter Grass (1927–2015) was Germany’s most celebrated post-war writer. He was a creative artist of remarkable versatility: novelist, poet, playwright, essayist, graphic artist. Grass’s first novel, The Tin Drum, is widely regarded as one of the finest novels of the twentieth century, and he was awarded the Nobel Prize for Literature in 1999.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : Very Good. The Box: Tales from the Darkroom This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. N° de réf. du vendeur 7719-9781846553073
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Vendeur : Libris Books, Chelmsford, Royaume-Uni
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. London. Harvill Secker. 2010. First Edition/First Printing. (1 in number line on copyright page). Originally published in Germany in 2008, this is the first UK printing translated by Krishna Winston. Hard Cover. Pale grey boards with black spine titles and dark red endpapers. Very clean and fresh text block. Condition is fine. Illustrated dust wrapper with a couple of minor marks to the rear and a little shelf wear along the top edge. Unclipped and near fine. A sequel to Peeling the Onion, he finds a means of continuing the narrative from the early 1960s to the early 1990s through the involvement of his eight children from four different relationships. They are cunningly introduced as semi-fictionalised puppets yielding to their father s eightieth birthday wish that they should gather to record on tape their collective impressions of him. By standing back in this way from his own autobiography, Grass manages to distance himself from his monumental public image as a political campaigner and writer of contested fiction. N° de réf. du vendeur FEB25007
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