"Polder" begins with extinction. The dust that existed from the first instant of creation is the dust to which in the end all creation will return, 'sinking under its weight'. The prose-poem 'Dust' was written when the poet was being treated for alcoholism and began the process of recovery. The collection ends with poems addressed to Torquatus, friend of the Roman poet Horace, a dialogue across centuries that defies the dust and looks back with mixed feelings to the drinking days of ambition, pride, and failure - and celebrates the poet's fiftieth birthday. In between are other conversations. In 2000 McCully moved to Amsterdam and began to explore the Dutch landscapes, dialects and culture that animate the second section of Polder with faces and voices past and present. In the third, 'Masterpieces', works by Vermeer, Rembrandt and other artists displayed in the Rijksmuseum, Amsterdam, are engaged in dialogues that range from the quizzical to the confrontational. The poet tries to find firm ground in a fragile landscape reclaimed from the hungry sea, a home in a place that is not yet home.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Chris McCully has published three collections of poetry with Carcanet (Time Signatures 1993; Not Only I 1996; The Country of Perhaps 2003) as well as the best-selling Fly-fishing: A Book of Words (1992) and the edited collection of essays The Poet's Voice and Craft (1994). Chris is one of the directors of the Modern Literary Archives programme in the John Rylands University Library of Manchester, and is also Honorary Senior Research Fellow in the Faculty of Arts, University of Manchester. He is married, and lives in Amstelveen with a garden and a black labrador, Tess.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Jay W. Nelson, Bookseller, IOBA, Austin, MN, Etats-Unis
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. "Polder" begins with extinction. The dust that existed from the first instant of creation is the dust to which in the end all creation will return, 'sinking under its weight'. The prose-poem 'Dust' was written when the poet was being treated for alcoholism and began the process of recovery. The collection ends with poems addressed to Torquatus, friend of the Roman poet Horace, a dialogue across centuries that defies the dust and looks back with mixed feelings to the drinking days of ambition, pride, and failure - and celebrates the poet's fiftieth birthday. In between are other conversations. In 2000 McCully moved to Amsterdam and began to explore the Dutch landscapes, dialects and culture that animate the second section of Polder with faces and voices past and present. In the third, 'Masterpieces', works by Vermeer, Rembrandt and other artists displayed in the Rijksmuseum, Amsterdam, are engaged in dialogues that range from the quizzical to the confrontational. The poet tries to find firm ground in a fragile landscape reclaimed from the hungry sea, a home in a place that is not yet home. N° de réf. du vendeur LU-9781847770172
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Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN:9781847770172. N° de réf. du vendeur 9165918
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Connecting themes of exile, submergence, and reclamation, this imaginative poetry collection explores a variety of complex topics, from a harrowing battle with alcoholism to a redemptive love for Dutch landscapes. Constructed around a series of dialogues between Dutch histories, dialects, faces, and voices both past and present, the volume includes a section entitled "Masterpieces," which imagines conversations with and between paintings by Vermeer, Rembrandt, and other Dutch masters on display in the Rijksmuseum in Amsterdam. Written on the occasion of the poet's 50th birthday, the final poem of the book, "Vinegar Days," recalls his drinking days—a period he associates with ambition, pride, and failure. Connecting themes of exile, submergence, and reclamation, this imaginative poetry collection explores a variety of complex topics, from a harrowing battle with alcoholism to a redemptive love for Dutch landscapes. Constructed around a series of dialogues between Dutch histories, dialects, faces, and voices both past and present, the volume includes a section entitled "Masterpieces," which imagines conversations with and between paintings by Vermeer, Rembrandt, and other Dutch masters on display in the Rijksmuseum in Amsterdam. Written on the occasion of the poet's 50th birthday, the final poem of the book, "Vinegar Days," recalls his drinking days--a period he associates with ambition, pride, and failure. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781847770172
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. "Polder" begins with extinction. The dust that existed from the first instant of creation is the dust to which in the end all creation will return, 'sinking under its weight'. The prose-poem 'Dust' was written when the poet was being treated for alcoholism and began the process of recovery. The collection ends with poems addressed to Torquatus, friend of the Roman poet Horace, a dialogue across centuries that defies the dust and looks back with mixed feelings to the drinking days of ambition, pride, and failure - and celebrates the poet's fiftieth birthday. In between are other conversations. In 2000 McCully moved to Amsterdam and began to explore the Dutch landscapes, dialects and culture that animate the second section of Polder with faces and voices past and present. In the third, 'Masterpieces', works by Vermeer, Rembrandt and other artists displayed in the Rijksmuseum, Amsterdam, are engaged in dialogues that range from the quizzical to the confrontational. The poet tries to find firm ground in a fragile landscape reclaimed from the hungry sea, a home in a place that is not yet home. N° de réf. du vendeur LU-9781847770172
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Draws on the author's own recovery from alcoholism, his move to the Dutch landscape and the work of famous artists such as Vermeer and Rembrandt in dialogues that range from the quizzical to the confrontational. Num Pages: 100 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 216 x 135 x 8. Weight in Grams: 136. . 2009. Paperback. . . . . N° de réf. du vendeur V9781847770172
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. Draws on the author's own recovery from alcoholism, his move to the Dutch landscape and the work of famous artists such as Vermeer and Rembrandt in dialogues that range from the quizzical to the confrontational. Num Pages: 100 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 216 x 135 x 8. Weight in Grams: 136. . 2009. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781847770172
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