Hope Mirrlees (1887-1978) has been regarded as a lost modernist. Her extraordinary long poem Paris, written in 1919, is a journey through a day in post First World War Paris. It was considered by Virginia Woolf 'obscure, indecent, and brilliant'. Read today, the poem retains its exhilarating daring. Mirrlees's experimentalism anticipates The Waste Land; her writing is integral to the twentieth-century canon. And yet, after Paris, Mirrlees published no more poetry for almost half a century, and her later poems appear to have little in common with the avant garde spirit of Paris. In this first edition to gather the full span of Mirrlees's poetry, Sandeep Parmar explores the paradoxes of Mirrlees's development as a poet and the complexities of her life. Sandeep Parmar was the first scholar to gain access to the Mirrlees Archive at Newnham College, Cambridge, and her edition includes many previously unpublished poems discovered there in draft form. The text is supported by detailed notes, including a commentary on Paris by Julia Briggs, and a selection of Mirrlees's essays. The generous introduction provides the most accurate biographical account of Mirrlees's life available. Mirrlees's Collected Poems is an indispensible addition to a reading of modernism.
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Helen Hope Mirrlees was born on 8 th April 1887 in Chislehurst, Kent. She grew up in Scotland and was educated at St Leonard's School in St Andrews. She briefly attended the Royal Academy of Dramatic Art before entering Newnham College, Cambridge in 1910, to study classics. There she met the classics scholar Jane Ellen Harrison (1850-1928) and the two women became companions until Harrison's death. Hope Mirrlees visited Paris intermittently from 1913 onwards, before taking up residence there with Harrison in 1922. The two women studied Russian at the École des Langues Orientales and translated two works from the Russian: The Life of the Archpriest Avvakum by Himself (1924) and The Book of the Bear, a collection of Russian folktales (1926). Mirrlees's first novel, Madeleine: One of Love's Jansenists (1919) was followed by her long poem Paris, published by the Hogarth Press in 1920. Two other novels were published in the 1920s, The Counterplot (1924) and the fantasy novel Lud-in-the-Mist (1926). After Jane Harrison's death, Mirrlees converted to Catholicism and, in the 1940s, moved to South Africa. Three slim volumes of her poetry appeared during these later years, which culminated in the Amate Press edition of Moods and Tensions (1976), introduced by Raymond Mortimer. In later life, she returned to England and died at the age of ninety-one on 1st August 1978.
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Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G1847770754I5N00
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Vendeur : Crappy Old Books, Barry, Royaume-Uni
Paperback. Etat : Good. Hope Mirrlees ? Collected Poems (2011) by Hope Mirrlees. Fyfield Books. ISBN: 9781847770752. Condition: Good. Some poets become famous because they write hundreds of poems over long and industrious careers. Hope Mirrlees managed something rather more unusual. She wrote comparatively little poetry, disappeared from the literary limelight for decades, and then returned from the margins of literary history as readers gradually realised that she had quietly been astonishing all along. It is a wonderfully literary way to become legendary. This Fyfield Books edition of Collected Poems , published in 2011 , gathers together the complete poetic achievement of one of the twentieth century?s most singular voices. Mirrlees occupies that delightful category of writer beloved by poets, scholars and readers who enjoy discovering authors with the satisfying feeling that they have stumbled across a secret everyone ought to have known about years ago. You may have heard whispers of her remarkable long poem Paris , a dazzling modernist collage that somehow anticipated techniques later associated with writers like T. S. Eliot and Ezra Pound while remaining gloriously unlike either of them. It is one of those works that academics have happily spent decades unpacking, while ordinary readers simply marvel at how fresh it still feels. That is no small achievement for a poem first published in 1920. Mirrlees possessed an extraordinary gift for allowing history, myth, modern life, language and dream to occupy the same page without any of them feeling crowded. Her poems seem perfectly happy wandering from medieval folklore to bustling city streets, from quiet observation to dazzling linguistic invention, often before you?ve had a chance to refill your tea. Fortunately, they carry you along with remarkable grace. Reading Hope Mirrlees can feel rather like visiting an eccentric aunt whose house contains medieval manuscripts, maps of imaginary kingdoms, Greek mythology, railway timetables and several cats who appear to know more about literature than most undergraduates. Everything initially appears slightly bewildering until, after a while, you realise there is a curious internal order holding it all together. Or perhaps there isn?t. That possibility is part of the fun. The Fyfield Books series has long performed a valuable public service by rescuing important poets from undeserved obscurity, and Mirrlees is precisely the sort of writer who benefits from such careful attention. Rather than existing as a footnote to literary history?or as "that friend of Virginia Woolf" or "that associate of the Bloomsbury circle"?she emerges here in her own right: original, playful, intellectually fearless and possessed of a wonderfully distinctive imagination. It is refreshing to encounter a collected edition that reminds us literary history is not fixed. Every generation rediscovers writers whose brilliance somehow slipped between the cracks of reputation, fashion and publishing economics. Mirrlees has enjoyed exactly that kind of renaissance, and this volume makes it abundantly clear why. There is also something delightfully compact about a collected works that genuinely feels collectible. Unlike certain Victorian poets who apparently believed every passing cloud required six hundred lines of verse, Mirrlees leaves the reader wanting more rather than less. Brevity, when combined with originality, has an elegance all of its own. This copy remains in good condition , preserving a beautifully produced edition that deserves a place on the shelves of anyone interested in modernist poetry, literary experimentation or simply discovering writers whose reputations continue to grow long after their own time. From Crappy Old Books ?because second-hand bookshops are wonderfully democratic places. Nobel Prize winners rub shoulders with forgotten geniuses, obscure pamphlets sit beside celebrated classics, and every now and then a reader picks up a book almost by accident and discovers an entirely new favourite author. Hope Mirrlees ? Collected Poems is exactly that sort of discovery. It doesn?t shout for attention, it doesn?t promise to transform your life in seven easy steps, and it certainly doesn?t come wrapped in fashionable marketing slogans. Instead, it quietly offers poetry of remarkable originality, trusting that curious readers will recognise its brilliance when they encounter it. Judging by the steadily growing admiration for Hope Mirrlees over the past century, that trust was very well placed indeed. N° de réf. du vendeur 6925
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Vendeur : Frances Wetherell, Cambridge, Royaume-Uni
Paperback. Etat : Fine. Etat de la jaquette : No Jacket as issued. 1st Edition. Not issued in hardback. Virtually as new. N° de réf. du vendeur 006835
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