This book offers a concise and highly readable account of the visual art of David Jones (1895-1974). It challenges the simplistic view of Jones as an outsider or an eccentric, exploring his work instead in relation to the wider cultural and intellectual climate of his times. The authors focus on works of outstanding quality, including engravings from the 1920s, watercolours from 1926-32 and the most significant of Jones's later mythological drawings as well as his studies of trees and chalices and his unique painted inscriptions. Analysis of Jones's technical virtuosity in diverse media enlarges our understanding of his highly original visual language and the symbolism that sustains it. The book also explores the relation of Jones's art to his Christian faith and his understanding of place and history. Copiously illustrated, The Art of David Jones not only offers fresh insight into the career of a multi-talented British artist, but also adds to our understanding of the art and cultural history of Britain from the First World War through to the 1960s.
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Paul Hills is Professor Emeritus at the Courtauld Institute of Art in London and a regular reviewer for the TLS and the Burlington Magazine. He curated the major David Jones retrospective at the Tate in 1981 and convened the centenary conference on the artist at the University of Warwick in 1995. His previous publications include The Light of Early Italian Painting (1987) and Venetian Colour: Marble, Mosaic, Painting and Glass, 1250-1550 (1999). Following completion of an MA at the Courtauld Institute, Ariane Bankes worked for many years in publishing and the commercial art world. Her articles and reviews on a wide variety of arts subjects have appeared in the Spectator, the RA Magazine and the TLS, and she collaborated with Jonathan Reekie on The New Aldeburgh Anthology (2009).
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Vendeur : Widney Manor Books, Solihull, MIDLA, Royaume-Uni
Hardcover. Etat : Very Good. Book is in very good condition with some wear and a small tear to dust jacket. 176pp with colour illustrations. N° de réf. du vendeur 042100
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Vendeur : David Bunnett Books, London, Royaume-Uni
HARDCOVER. Etat : AS NEW. 1st Edition. Heavy 4to. in blue faux cloth, white lettering to spine, 176pp on thick art paper, colour plates, bit etc . [CONDITION: A well preserved AS NEW unmarked copy in an almost AS NEW complete Dust Jacket (faintish spill soil to rear panel at bottom edge adjacent to spine, barely visible and the jacket looks almost as new in its removable transparent protector) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . __NOTE Due to size and/or weight posting to some destinations outside the UK will cost more than the shipping price shown. If so, orders made by card will only be completed after you have approved any extra cost. . We always ship in STRONG PROTECTIVE CARD PARCELS. N° de réf. du vendeur TH254732
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Vendeur : The Books of Eli, Birmingham, Royaume-Uni
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. First Edition. First edition, First printing. Fine book, in a near fine DW. Signed by both authors, Ariane Bankes and Paul Hills. "This book offers a concise and highly readable account of the visual art of David Jones (1895-1974). It challenges the simplistic view of Jones as an outsider or an eccentric, exploring his work instead in relation to the wider cultural and intellectual climate of his times.". Signed. N° de réf. du vendeur 00665
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