Focussing on the period from 1930 to 1960, this outstanding publication considers the transition of Victor Pasmore (1908-1998) from one of Britain's leading figurative painters to one of its foremost exponents of abstract art. From Pasmore's own writings and those of his contemporaries, a fascinating picture emerges of the years in the late 1940s and early 1950s when lyrical landscapes - incorporating increasingly suggestive formal structures - were suddenly superseded by abstract paintings and collages and then by constructed reliefs. Seeking to explore these decades and later years, the book's featured works include the artist's earliest canvases through to his engagement with the controversial Apollo Pavilion in Peterlee, County Durham. Reproducing works from both public and private collections, this unique publication will stoke interest in an important period in British art history and will shed new light on a crucial stage in Pasmore's long career.
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Anne Goodchild is a curator and writer. She was formerly the Senior Curator with Sheffield Galleries and Museums Trust. Alastair Grieve is an art historian, previously at the University of East Anglia. He curated the Arts Council Touring Exhibition Victor Pasmore in 1980 and Anthony Hill's Retrospective Exhibition at the Hayward Gallery in 1983. He is the author of Constructed Abstract Art in England after the Second World War (2005) and The Sculpture of Robert Adams (1992). Elena Crippa is Curator, Modern and Contemporary British Art, at Tate. Previously, she worked as part of the Tate Research project Art School Educated: Curriculum Development and Institutional Change in UK Art Schools, 1960-2010.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : Fine. A Fine (New) copy of this 120pp survey of the many facets of Pasmore's career - copiously illustrated throughout and with three accompanying essays. Please see five pictures for a closer look at this pristine copy. N° de réf. du vendeur ABE-1764084313999
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Hardcover. Etat : new. Hardcover. Focussing on the period from 1930 to 1960, this fascinating publication considers the transition of Victor Pasmore (1908-1998) from one of Britain's leading figurative painters to one of its foremost exponents of abstract art.From Pasmore's own writings and those of his contemporaries, a fascinating picture emerges of the years in the late 1940s and early 1950s when lyrical landscapes incorporating increasingly suggestive formal structures - were suddenly superseded by abstract paintings and collages, and then by constructed reliefs.Seeking to explore these decades and later years, the book's visual narrative traces a path from the artist's earliest canvases through to his engagement in the 1960s with the controversial Apollo Pavilion in Peterlee, County Durham. This important publication will renew interest in an important period in British art history and shed new light on a crucial stage in Pasmore's long career. Focussing on 1930-60, this publicationconsiders Pasmore's transition from figurative painter to abstract artist.Reproducing works from both public and private collections, this publicationwill stoke interest in an important period in British art history and shed newlight on a crucial stage in Pasmore's career. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781848222083
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