Many theatre practitioners think of physical theatre as one thing and text as another. In this book, Dymphna Callery, author of Through the Body: A practical guide to physical theatre, shows how exercises and rehearsal techniques normally associated with physical and devised theatre can be fruitfully applied to the exploration of scripted plays. Working through the body enables players to gain a fuller realization of the text.
Full of theatre games, improvisation exercises and rehearsal techniques, The Active Text is an inspirational handbook for performers, directors and teachers working in a variety of situations, primarily in the drama studio or rehearsal room but also in community and youth theatres, as well as in the classroom where the study of a dramatic text can be invigorated by physical exploration.
Basing her work on a dozen or so well-known texts, from the Greeks to Sarah Kane, via Shakespeare, Miller and Beckett, and self-confessedly raiding well-established practitioners from Brecht to Simon McBurney via Lecoq, Brook and Mamet, Dymphna Callery takes us on a process of physical exploration and experimentation which includes such techniques as Mapping the Play - how the narrative unfolds, how relationships develop, etc - and Charting the Journeys - how characters progress and change through significant keypoints.
The same seriously playful process which is customarily applied to devising work is applied in this book to exploring a text: with the result that The Active Text is an invaluable guide to bringing plays alive through the body .
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Dymphna Callery has performed and taught drama throughout the UK, including Liverpool John Moores University and Wolverhampton University. She is a published playwright and poet.
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Paperback. Etat : New. Many theatre practitioners think of physical theatre as one thing and text-based theatre as another. In this book, Dymphna Callery, author of Through the Body: A Practical Guide to Physical Theatre, shows how exercises and rehearsal techniques associated with physical and devised theatre can be applied to scripted plays. Working 'through the body' enables performers to discover what really makes a play work.Drawing on key practitioners, including Jacques Lecoq, Joan Littlewood, Peter Brook and Simon McBurney, The Active Text offers a complete approach to working with a scripted play, leading the reader through a process of active exploration and experimentation that includes:Uncovering a play's internal dynamics Using improvisation and theatre gamesExploiting the languages of the bodyGetting inside the words that are spoken (as well as those that aren't!)Discovering image structuresUnderstanding the impact on the audienceThroughout the book, the author draws on a core selection of well-known texts (from Sophocles and Shakespeare to Brecht, Arthur Miller, Steven Berkoff and Sarah Kane), showing how an active approach to text can challenge assumptions about even the most familiar of plays.Packed with theatre games, improvisation exercises and rehearsal techniques, The Active Text is an inspirational guide for performers, directors, students and teachers. It will revitalise work in the rehearsal room, workshop or classroom - anywhere that dramatic text needs to be brought to life. N° de réf. du vendeur LU-9781848421271
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 52106401-20
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