Musicals are the most popular form of stage entertainment today, with the West End and Broadway dominated by numerous long-running hits. They can be gloriously life-affirming spectaculars, swelling both the hearts of audiences, and the wallets of their writers. But for every Wicked or Phantom of the Opera, there are dozens of casualties that didn't fare quite so well.
In this book, Julian Woolford explores the musical theatre canon to explain why and how some musicals work, why some don't, and what you should (and shouldn't) do if you're thinking of writing your own.
Drawing on his experience as a successful writer and director of musicals, and as a lecturer in writing musicals at the University of London, Woolford outlines every step of the creative process, from hatching the initial idea and developing a structure for the work, through creating the book, the music and the lyrics, and on to the crucial process of rewriting (as Sondheim said, Musical comedies aren't written, they are rewritten ). He then guides the reader through getting a musical produced, with invaluable advice about generating future productions and sustaining a career.
The book includes dozens of exercises to assist the novice writer in developing their craft, and detailed case studies of well-known musicals such as Les Misérables, The Sound of Music, Miss Saigon, Little Shop of Horrors, Godspell and Evita.
An essential guide for anyone writing or wanting to write a musical, How Musicals Work is a fascinating insight for anyone interested in the art form or who has ever wondered what it takes to get from first idea to first night.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
JULIAN WOOLFORD is a theatre director, playwright and lyricist, based in the UK and working internationally. Julian's productions have been seen in the West End, off-Broadway, in Europe and he has directed many British national tours and productions in regional theatres, including the hugely successful 2010 national tour of 'Oklahoma!' starring Marti Webb.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Musicals are the most popular form of stage entertainment today, with the West End and Broadway dominated by numerous long-running hits. But for every Wicked or Phantom of the Opera, there are dozens of casualties that didn't fare quite so well. In this book, Julian Woolford explores the musical-theatre canon to explain why and how some musicals work, why some don't, and what you should (and shouldn't) do if you're thinking of writing your own.Drawing on his experience as a successful writer and director of musicals, and as a lecturer in writing musicals at the University of London, Woolford outlines every step of the creative process, from hatching the initial idea and developing a structure for the work, through creating the book, the music and the lyrics, and on to the crucial process of rewriting. He then guides the reader through getting a musical produced, with invaluable advice about generating future productions and sustaining a career.The book includes dozens of exercises to assist the novice writer in developing their craft, and detailed case studies of well-known musicals such as Les Misérables, The Sound of Music, Miss Saigon, Little Shop of Horrors, Godspell and Evita.An essential guide for any writers (or would-be writers) of musicals, How Musicals Work is a fascinating insight for anyone interested in the art form or who has ever wondered what it takes to get from first idea to first night.'A comprehensive and thoughtful guide to everything one must consider in order to write a successful musical. It would take at least a decade to learn all of this on one's own. Invaluable.' David Zippel (lyricist of City of Angels and The Woman in White)'If anyone knows how musicals work (I'm not sure I do), this highly entertaining dissection of every aspect of that bewildering art form reveals that Julian Woolford does.' Tim Rice. N° de réf. du vendeur LU-9781848421752
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Paperback. Etat : New. Musicals are the most popular form of stage entertainment today, with the West End and Broadway dominated by numerous long-running hits. But for every Wicked or Phantom of the Opera, there are dozens of casualties that didn't fare quite so well. In this book, Julian Woolford explores the musical-theatre canon to explain why and how some musicals work, why some don't, and what you should (and shouldn't) do if you're thinking of writing your own.Drawing on his experience as a successful writer and director of musicals, and as a lecturer in writing musicals at the University of London, Woolford outlines every step of the creative process, from hatching the initial idea and developing a structure for the work, through creating the book, the music and the lyrics, and on to the crucial process of rewriting. He then guides the reader through getting a musical produced, with invaluable advice about generating future productions and sustaining a career.The book includes dozens of exercises to assist the novice writer in developing their craft, and detailed case studies of well-known musicals such as Les Misérables, The Sound of Music, Miss Saigon, Little Shop of Horrors, Godspell and Evita.An essential guide for any writers (or would-be writers) of musicals, How Musicals Work is a fascinating insight for anyone interested in the art form or who has ever wondered what it takes to get from first idea to first night.'A comprehensive and thoughtful guide to everything one must consider in order to write a successful musical. It would take at least a decade to learn all of this on one's own. Invaluable.' David Zippel (lyricist of City of Angels and The Woman in White)'If anyone knows how musicals work (I'm not sure I do), this highly entertaining dissection of every aspect of that bewildering art form reveals that Julian Woolford does.' Tim Rice. N° de réf. du vendeur LU-9781848421752
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Paperback. Etat : new. Paperback. Musicals are the most popular form of stage entertainment today, with the West End and Broadway dominated by numerous long-running hits. But for every Wicked or Phantom of the Opera, there are dozens of casualties that didn't fare quite so well. In this book, Julian Woolford explores the musical-theatre canon to explain why and how some musicals work, why some don't, and what you should (and shouldnt) do if you're thinking of writing your own.Drawing on his experience as a successful writer and director of musicals, and as a lecturer in writing musicals at the University of London, Woolford outlines every step of the creative process, from hatching the initial idea and developing a structure for the work, through creating the book, the music and the lyrics, and on to the crucial process of rewriting. He then guides the reader through getting a musical produced, with invaluable advice about generating future productions and sustaining a career.The book includes dozens of exercises to assist the novice writer in developing their craft, and detailed case studies of well-known musicals such as Les Miserables, The Sound of Music, Miss Saigon, Little Shop of Horrors, Godspell and Evita.An essential guide for any writers (or would-be writers) of musicals, How Musicals Work is a fascinating insight for anyone interested in the art form or who has ever wondered what it takes to get from first idea to first night.A comprehensive and thoughtful guide to everything one must consider in order to write a successful musical. It would take at least a decade to learn all of this on ones own. Invaluable. David Zippel (lyricist of City of Angels and The Woman in White)If anyone knows how musicals work (Im not sure I do), this highly entertaining dissection of every aspect of that bewildering art form reveals that Julian Woolford does. Tim Rice'Excellent. a useful source of information' The Stage'Extraordinarily informative. always practical and always readable. a seminal examination' ReviewsGate.com'There is plenty here of interest to anyone wishing to analyse or create musicals or even with a general interest in the subject' British Theatre Guide Why do some musicals work, while others just don't? And what should you do if you're thinking of writing your own? Julian Woolford, a successful writer and director of musicals and lecturer in writing musicals at the University of London, explores the musical-theatre canon to answer these and many other questions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781848421752
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