Tom Docherty's first collection, If the Mute Timber, begins 'not with a book / nor even an attentive ear', but with the elusive fragment of its title. The poems situate themselves in medias res: among birds or gravestones, between lines of prayer, in the flux of appearances. Places without words become focal points: the poems seek articulation in life before birth and after death; in animal and imagined lives; in works of music, painting, and architecture; and in the varied silences of human and divine relationships. In one sense, the poems are variations on the vanitas-but the transience of life and its artefacts is transposed to an offering, a potential key in which to register the work. When followed to their natural end, fragments become sentences, notes are sung.
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Tom Docherty was born in Glasgow in 1989. His poetry has been published in The Dark Horse, New Poetries VI, PN Review, and elsewhere. He works as an organist, and lives in Kirkintilloch with his wife and two daughters.
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